The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
Brummell's "Who's your fat friend?" His ridicule was never a public
display; it was a secret treasured for his friends. He was the greatest
private entertainer of the eighteenth century, and he ridiculed the
great, as people say, for the love of diversion. "I always write the
thoughts of the moment," he told the dearest of his friends, Conway,
"and even laugh to divert the person I am writing to, without any ill
will on the subjects I mention." His letters are for the most part
those of a good-natured man.
It is not that he was above the foible--it was barely more than
that--of hatred. He did not trouble greatly about enemies of his own,
but he never could forgive the enemies of Sir Robert Walpole. His
ridicule of the Duke of Newcastle goes far beyond diversion. It is the
baiting of a mean and treacherous animal, whose teeth were "tumbling
out," and whose mouth was "tumbling in." He rejoices in the exposure of
the dribbling indignity of the Duke, as when he describes him going to
Court on becoming Prime Minister in 1754:
On Friday this august remnant of the Pelhams went to Court for the
first time. At the foot of the stairs he cried and sunk down; the
yeomen of the guard were forced to drag him up under the arms. When
the closet-door opened, he flung himself at his length at the King's
feet, sobbed, and cried, "God bless your Majesty God preserve your
Majesty!" and lay there howling and embracing the King's knees, with
one foot so extended that my Lord Coventry, who was _luckily_ in
waiting, and begged the standers-by to retire, with, "For God's sake,
gentlemen, don't look at a great man in distress!" endeavouring to
shut the door, caught his grace's foot, and made him roar with pain.
The caricature of the Duke is equally merciless in the description of
George II.'s funeral in the Abbey, in which the "burlesque Duke" is
introduced as comic relief into the solemn picture:
He fell into a fit of crying the moment he came into the chapel, and
flung himself back in a stall, the Archbishop hovering over him with
a smelling-bottle; but in two minutes his curiosity got the better of
his hypocrisy, and he ran about the chapel with his glass to spy who
was or was not there, spying with one hand and mopping his eyes with
the other. Then returned the fear of catching cold; and the Duke of
Cumberland, who was sinking with heat, felt himself weighed down, and
turning round found it was the Duke of Newcastle standing upon his
train to avoid the chill of the marble.
Public-domain text, read in full here on John Shaqi.
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