The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
It is in the spirit of a child throwing its whole imagination into
playing with a Noah's Ark that he describes his queer house. It is
in this spirit that he sees the fields around his house "speckled
with cows, horses, and sheep." The very phrase suggests toy animals.
Walpole himself declared at the age of seventy-three: "My best wisdom
has consisted in forming a baby-house full of playthings for my second
childhood." That explains why one almost loves the creature. Macaulay
has severely censured him for devoting himself to the collection of
knick-knacks, such as King William III.'s spurs, and it is apparently
impossible to defend Walpole as a collector to be taken seriously.
Walpole, however, collected things in a mood of fantasy as much as
of connoisseurship. He did not take himself quite seriously. It was
fancy, not connoisseurship, that made him hang up Magna Charta beside
his bed and, opposite it, the Warrant for the execution of King
Charles I., on which he had written "Major Charta." Who can question
the fantastic quality of the mind that wrote to Conway: "Remember,
neither Lady Salisbury nor you, nor Mrs. Damer, have seen my new divine
closet, nor the billiard-sticks with which the Countess of Pembroke
and Arcadia used to play with her brother, Sir Philip," and ended: "I
never did see Cotchel, and am sorry. Is not the old wardrobe there
still? There was one from the time of Cain, but Adam's breeches and
Eve's under-petticoat were eaten by a goat in the ark. Good night." He
laughed over the knick-knacks he collected for himself and his friends.
"As to snuff-boxes and tooth-pick cases," he wrote to the Countess of
Ossory from Paris in 1771, "the vintage has entirely failed this year."
Everything that he turned his mind to in Strawberry Hill he regarded
in the same spirit of comic delight. He stood outside himself, like a
spectator, and nothing gave him more pleasure than to figure himself
as a master of the ceremonies among the bantams, and the squirrels and
the goldfish. In one of his letters he describes himself and Bentley
fishing in the pond for goldfish with "nothing but a pail and a basin
and a tea-strainer, which I persuade my neighbours is the Chinese
method." This was in order to capture some of the fish for Bentley, who
"carried a dozen to town t'other day in a decanter."
Public-domain text, read in full here on John Shaqi.
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