The London pleasure gardens of the eighteenth centuryWroth, Warwick William
History
The London pleasure gardens of the eighteenth century
Wroth, Warwick William
London (England) -- History -- 18th century; Parks -- England -- London -- History
[216] _Works_, ed. Gosse, ii. 139.
[217] See especially Kearsley’s _Strangers’ Guide_ (1793?).
[218] This was the number about 1793.
[219] Burney says that the first organist was Keeble, who was succeeded
by Butler. Burney himself was organist in 1770.
[220] Boswell, _Life_, chap. xxvi. p. 236, ed. Croker.
[221] _Life_, 1777–1778, chap. lxi. p. 561, ed. Croker.
[222] In the early days, sometimes one shilling and two shillings,
including the breakfast and the morning concert. On special nights when
fireworks were displayed, the price was raised to three shillings or
more. Tickets costing from half a guinea to two guineas were issued for
the masquerades.
[223] Sometimes it was advertised as open “every evening.” People were
allowed to walk in the gardens and view the Rotunda during the day-time
for one shilling.
[224] “Harlequin in Ranelagh,” _London Magazine_, May 1774.
[225] Cp. _Gent. Mag._ 1764, p. 247.
[226] _Ranelagh House: a satire_, 1747.
[227] _London Magazine_, 1774.
[228] Other early vocalists were:--Mrs. Storer (1751); Miss Young
(1755); Miss Formantel (_Ten favourite songs sung by Miss Formantel
at Ranelagh_, music by Mr. Oswald, published July 1758).
[229] According to a statement of Burney’s (note in Croker’s ed. of
Boswell’s _Johnson_, p. 143, anno “1763”), the salt-box song was
sung by Beard accompanied on that instrument by Brent, the fencing
master, while Skeggs played on the broomstick as bassoon. Croker
assigns the composition, and apparently the first performance, of
the Ode to 1769, and states that the first edition (which he himself
had seen) of it bears the date 1749, a date which he considered to
be a misprint for 1769. But the date 1769 is, as some later writers
have seen, clearly erroneous, and the composition--and possibly the
_first_ performance at Ranelagh--must be assigned to 1759. The
published edition of the Ode, in the British Museum, is dated (May)
1763, and the Ode was undoubtedly performed at Ranelagh on 10 June
of that year (1763). (See _Annual Register_; _Lloyd’s Evening
Post_, 8–16 June, 1763.)
[230] Cp. _Six new English songs composed by Ferdinando Tenducci, and
to be sung by him at Ranelagh_. Sold by the author at his lodging in
the Great Piazza, Covent Garden, 1763 (W. Coll.).
Other performers at this period were:--1762: Champness, Hudson, Miss
Thomas, Miss Brent. 1763: Dearle, Miss Wright, Miss Brent. 1765 (?):
the elder Fawcett.
[231] _Gent. Mag._ 1767, p. 277.
[232] Walpole’s _Letters_, ed. Cunningham, ii. 150, ff. (Walpole
to Mann, 3 May, 1749).
[233] It is to be feared that this advertisement was an invention
of the editor’s, but it would have had little point for his readers
had it not been actually based on familiar incidents of the Ranelagh
masquerades.
[234] Mrs. Baddeley also sang there in 1772.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account