“Mr. Underwood has gone to the wars,” broke in Nance, with an odd sense
of misery and an obstinate contempt, for all that, of this woman’s
prattling. “He’ll come back in his own time, Lady Royd, after the King
is on his throne again.”
“But _has_ he gone to the wars? I missed him among our friends to-day.”
“Because he has ridden on a private errand of the Prince’s.” Nance was
reckless in her protection of Will’s honour. “He was the likeliest
rider of them all to be chosen for such service.”
“Oh, there! And I hoped he would be wise, and stay at home, and ride
over now and then to cheer us with his pleasant face.” Her smile was
frail and listless, with a certain youthful archness in it that drew
men to her side; but its appeal was lost on Nance. “Of course, I am
loyal to Sir Jasper--and I shall cry each night till he returns--but
Will’s homage is charming, Nance. It is so delicate, child--a word
here, and a glance there--that one forgets one is middle-aged. He spent
some years in Paris, they say--to escape from his father’s money-making
and from the bleak chapel on the hill--and I can well believe it. The
French have that gift of suggesting a grand passion, when neither actor
in the comedy believes a word of it.”
Nance moved away, and looked out at the sunlight and the sleety hills.
So strong, so impulsive, was her resistance to Sir Jasper’s wife that
even the “bleak chapel on the hill”--she knew it well, a four-square,
dowdy little building not far from her own home--took on an unsuspected
strength and dignity. It was reared out of moor-stone, at least--reared
by stubborn, if misguided, folk who were bred on the same uplands as
herself. Will Underwood had learned follies in Paris, undoubtedly; but,
if her liking for him, her care for his honour, had any meaning, it
rested on the faith that he had outgrown these early weaknesses, that
he was English to the core. He could ride straight--there was something
pathetic in her clinging to this one, outstanding virtue--he was known
among men to be fearless, strong in all field-sports; he had endurance
and a liking for the open air. And Lady Royd, in her vague, heedless
way, had painted him as a parlour lap-dog, who could while a pleasant
hour away for women who lived in over-heated rooms.
Nance was obstinate in her loyalty to friends; yet she remembered now
stray hints, odds and ends of scandal passed between the women after
dinner, while they waited for the men to join them; and all had been
agreed that Will Underwood had the gift of making the last woman who
engaged his ardour believe she was the first.
Lady Royd warmed her hands at the fire again, and laughed gently. “Why,
child, you’re half in love with him, like the rest of us. I know it by
your silence.”
And Nance, whose good-humour was a byword among her intimates, found
her temper snap, like any common, ill-forged sword might do. “By your
leave,” she said, “I never did anything by halves. My friends are my
friends. I’m loyal, Lady Royd.”
Public-domain text, read in full here on John Shaqi.
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