The mantelpiece held a tobacco-jar and a tin or two, and, cheek by jowl
with a Sheffield candlestick, was a photograph of Lup, looking very
black and white and square and fierce and awkward and dull. In the
waiting moments before they caught the slow footsteps, Francey looked
long at this travesty of the original, and knew that, just as the cold
negative had ignored his living, breathing humanity, so her own cold,
critical sense had robbed him of sympathy and glamour. They should have
no eyes to see, she thought bitterly, who have not also wide, tolerant
hearts to feel, brewing their own transmuting elixir of love. Yet she
had thought to taste it, once, had stooped her head to it to drink,
before Wolf, at that fatal supper, had coarsened it on her lips.
She heard her mother in the passage, sweeping in the outcasts on a
breeze of cheer that made even the dogs lift depressed ears, but she
herself stayed rather nervously on the hearth, stirring the brisk fire
into a mighty “low,” and filling the pot as soon as the wayfarers were
snug in their seats. Over the cups a little consolation crept up and
took hold, and now and then there was actually weak laughter in the
lonely little house. The afternoon died, and presently, when Wolf began
to nod in his chair, when the dogs had finished exploring and settled
on the rug with great, sleepy sighs of satisfaction, the comforters
took their leave.
There were other visitors, though, even then; Michael, looking in for
a short chat, and Denny, flying over with a few pounds of apples and
a present of twist; even their late cowman, “just to see if they were
settling-like”; but when the last figure had passed the window and
melted into the dusk, the vast loneliness came down upon the Pride,
swallowing it as before.
Public-domain text, read in full here on John Shaqi.
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