The Lonely Way—Intermezzo—Countess Mizzie: Three PlaysSchnitzler, Arthur
General
The Lonely Way—Intermezzo—Countess Mizzie: Three Plays
Schnitzler, Arthur
German drama -- Translations into English
What?... (_He looks from one to the other; pause_) Really I like that.
Indeed, I do. I think both of you are splendid--but especially you,
Cecilia--and, of course, there is nothing else left for you to do now.
PETER (_enters, carrying some of his puppets_)
Papa! Mamma! I can play theater beautifully. Won't you come and look?
Oh, please come!
CECILIA (_strokes his hair_)
AMADEUS (_remains standing at some distance from them_)
ALBERT
Well, isn't this just like life--the life you are always talking of!
This should be the moment when you had to fall into each others' arms
with absolute certainty, if you had had the luck to be imaginatively
created--that is, not by me, of course.
CECILIA
No, the boy means too much to both of us to make that possible--don't
you think so, Amadeus?
AMADEUS (_losing control of himself after a glance at Peter_) All at
once to be alone in the world again--it's a thought I can hardly face!
CECILIA
But we shall be somewhere in that world, you know--your child, and the
mother of your child. We are not parting as enemies, after all....
(_With a smile_) I am even ready to come here and sing that Solo of
yours--although we shall not be able to study it together.
AMADEUS
It's more than I can bear...!
CECILIA
It will have to be borne. We must work--both of us.
ALBERT (_to Amadeus_)
Yes, and it remains to be seen what effect a real sorrow like this may
have on you. It's just what you have lacked so far. I expect you'll get
a lot out of it. In a sense, I might almost envy you.
PETER
What's the matter?... Look here, mamma, how they jump about! That's the
king, and this is the devil.
ALBERT
Come on, sonny, and play your piece to _me_. But I insist that the
hero must either marry in the end, or be carried off by the devil. In
either case you can go home quite satisfied when the curtain drops.
(_He goes out with Peter_)
CECILIA (_after a glance at Amadeus, starts to follow them_)
AMADEUS
Cecilia!
CECILIA (_turns back_)
AMADEUS (_passionately_)
Why didn't you show me the door, Cecilia, when you knew...?
CECILIA
Well, _did_ I know?... I have loved you, Amadeus. And all I wanted,
perhaps, was that the inevitable end should be worthy of our love--that
we should part after a final moment of bliss, and with a pang.
AMADEUS
With a pang, you say...? Do you really feel anything like that?
CECILIA (_coming close to him and speaking very gently_)
Why don't you try to understand me, Amadeus? I feel it just as keenly
as you do. But there is another thing I feel more strongly than you,
and it is well for us both that I do. It is this, Amadeus, that we have
been so much to each other that we must keep the memory of it pure. If
that was nothing but an adventure last night, then we have never been
worthy of our past happiness.... If it was a farewell, then we may
expect new happiness in the future ... perhaps.... (_She starts toward
the garden_)
AMADEUS
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account