The Lonely Way—Intermezzo—Countess Mizzie: Three PlaysSchnitzler, Arthur
General
The Lonely Way—Intermezzo—Countess Mizzie: Three Plays
Schnitzler, Arthur
German drama -- Translations into English
MARIE
He merely whisked by on his wheel.
AMADEUS (_as before_)
Oh, he must at least have stopped to lean against a tree for a few
moments. He must even have taken time enough--and I am mighty glad he
did--to photograph the little house in which you were living. (_He
takes from the desk a small framed photograph and hands it to Marie,
who is seated on the couch_)
MARIE (_surprised_)
And you have that standing on your writing desk?
AMADEUS (_slightly puzzled_)
Why shouldn't I?
MARIE (_studying the photograph_)
Just as it was--Cecilia and I sitting on the bench there--yes. And
there's the hazel by the garden fence.... How it does bring back the
memory of that beautiful, warm Summer day...
AMADEUS (_bending over the desk to look at the picture_)
I can make out you and Cecilia, but those three boys puzzle me
hopelessly.
MARIE
In what way...? That's little Peter, who is doing like this ... (_She
blinks_)
AMADEUS
Oh, is that it?
MARIE
And that's Max--and he with the hoop is Mauritz.
AMADEUS
So that's a hoop?... I took it for one of those cabins used by the
watchmen along the railroad. The background comes out much better. The
landscape actually looks as if steeped in Summer and stillness....
(_Brief pause_)
MARIE
It was really nice. The deep shadows of the woods right back of the
house, and that view of the mountain peaks--oh, marvelous! And then the
seclusion.... It's too bad that you never had a look at that darling
place. We thought ... Cecilia did expect you after all....
AMADEUS (_has risen and is walking to and fro_)
I don't believe it.... And it didn't prove feasible, for that matter.
The pull of the South was still on me.
MARIE (_smiling_)
You call that the South?
AMADEUS (_smiling also_)
Oh, Marie!
MARIE (_a little embarrassed_)
I hope you're not offended?
AMADEUS
Why should I be? I didn't make a secret of my whereabouts to anybody.
MARIE (_confidentially_)
Albert told me about the villa, and the park, and the marble steps....
AMADEUS
So he gave you all those details? And yet he wasn't there more than an
hour.
MARIE
I think he intends to use the park for his last act.
AMADEUS
Is that so? If he would only bring it to me... I mean the last act. I
want to take it with me on my tour.
MARIE
Do you think you'll find time to work?
AMADEUS
Why not? I am always working. And I have never in my life been more
eager about it. I, too, am having a brilliant period. For years I
have not been doing better. And I am no less industrious than Cecilia.
With the difference that regular hours are not in my line--nine to
nine-forty-five, twelve to twelve-thirty, and so on. But you ask
Albert! When he threw himself on the bed exhausted, in that inn at the
Fedaja Pass, I sat down and finished the instrumentation for the
_Capriccio_ in my Fourth.
CHAMBERMAID (_enters with a couple of letters and goes out again_)
AMADEUS
You'll pardon me, my dear Marie?
MARIE
Please don't mind me. (_She rises_)
AMADEUS
Public-domain text, read in full here on John Shaqi.
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