“And it happened one night when the first small pinch of frost was in
the air, that Mignon would sing soft baby songs, such as the mothers of
her people sang, she said. Oh, such soft, low songs! I hear them yet.
A kindness was in her face, like that in the face of a young mother. I
saw it by the light of the wood fire that held the frost away. And when
she had sung much, as to a child, she put her hands upon my shoulders
and she said a strange thing. This is what she said, I remember:
‘Sometime, Yellow Fox, I will sing to your _zhinga zhinga_ [baby]; will
you be glad?’
“And I wondered much, for her eyes were wet when she said it.
“And that night she fell to sleep with her soft hands clutching my arm.
And something made me wish to sing. I watched her sleeping, and there
was an ache in my breast when I remembered the feel of my angry fingers
at her throat. And then I slept.
“But in that time when the night is deepest and sleep is like a weight
upon the eyes, a sharp cry woke me. I leaped up. The fire was almost
dead. I heard feet flying through the dead leaves into the darkness.
One hand felt warm and wet; I raised it to my nose and it was blood.
And then I heard a gasping for breath and a sound of gurgling. I put my
hand upon the breast of Mignon—and it was wet with blood!
“I scraped the embers together and made a little flame. I looked upon
her face and it had the look of death. Eyes that ached she turned upon
me. I stopped the blood with torn garments. I called her soft names and
she clutched my fingers. Then she was very quiet. I could hear leaves
dropping out in the night.
“And when the face of the night turned grey, she opened her eyes that
were hot and dry. With very weak hands she drew my ear close to her
lips. She breathed a little broken piece of song—a baby song—a song of
the mothers of her people. And when I looked upon her again, her face
was pinched, her eyes stared.”
* * * * *
Yellow Fox lapsed into another prolonged silence. The dancers and
singers in the lodge had ceased. A heavy, sultry silence filled the
night. When he spoke again his voice came low and muffled:
“I buried her after the manner of my people. I sang the songs of the
dead. Above her grave I killed the pony that she rode. And then I
went away upon the trail that was no more the trail of summer. But
the winds in the grasses sang her name. Mignon! Mignon! I heard the
rain winds singing in the first leaves. Mignon! Mignon! I heard the
sighing of summer waters. Mignon! Mignon! I smelled the smell of
spring. Everywhere it was—Mignon!—half sound, half smell—dream-sound,
dream-smell—so thin—so thin.”
XVIII
A POLITICAL COUP AT LITTLE OMAHA
Public-domain text, read in full here on John Shaqi.
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