Detective and mystery stories; Fantômas (Fictitious character) -- Fiction
A small, mean, cringing figure, his head almost buried in the collar
of his great-coat, his hands clasped in a suppliant attitude, the old
usurer listened quietly to the recriminations that rose on all sides,
guessing that for sure he would be in the tightest of tight places
before long.
“Good day to you, mates all,” he greeted the angry crowd, and said no
more for the moment. But, after a brief pause, seeing looks of anger
and suspicion scanning him from the soles of his feet to the crown of
his head, he added in a whining voice:
“Beg pardon, but we’d be better elsewhere: suppose we adjourn to the
deck of the _Marie-Salope_ (the dredger) over there?”
All agreed; only “Bull’s-eye” slipped in a question: “There’s nobody
there?”
A general shout reassured him: “Why, who’d ever dare to come?”
Still, by way of further precaution, “Big Ernestine” climbed down into
the lighter, moored in the wake of the dredger, into which the buckets
when working emptied their contents. Another minute and the woman was
up again, satisfied with her inspection, and declaring:
“All clear!”
But Moche now pointed out that they were wasting precious time, gassing
without saying anything to the point.
“We’re here to talk business, so let’s begin.”
The company took seats as they best could, some on the bulwarks, some
on the deck-planks of the dredger, forming a circle in the middle of
which Père Moche took his stand—and the trial opened. “Trial” is the
right word, for truly the speaker was pleading for his life before his
judges seated round him, whom even a superficial observer would have
found no difficulty in recognizing as ready to go to the most violent
extremities.
It was the “Beadle” who undertook the prosecution. All the while
brandishing before the face of the culprit, who stood impassive before
him, his redoubtable clenched fists, the weight of which was familiar
to all the onlookers and which without an effort could have felled the
unhappy old man to the ground, he began with an artful reference that
instantly won him the sympathy of his audience.
“Père Moche,” he said, “you are come, and that is well, for it behooves
us once for all to understand each other, us and you. You can see for
yourself, that, among the chosen few of our band, one only is missing,
poor ‘Beauty Boy,’ and if he has been nabbed, if he is in the stone
jug, waiting till the bigwigs send him overseas, that is entirely your
fault; I don’t mean to say you sold him to the ’tecs, but you left him
without coin, without a yellow boy, without a stiver, and forced him to
muck it somehow or other, so that ...”
A triple round of applause allowed the orator to take breath, which he
did long and noisily, and to add another touch:
Public-domain text, read in full here on John Shaqi.
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