The rough draft of the contract having been drawn up to his satisfaction, Bob sallied forth in search of a public stenographer. He knew that he had evolved rather a clever scheme, and he was averse to permitting the details of his plan to fall under the comprehending eye of some boss printer, whose enterprise might perchance soar beyond the boundaries of his vocation. So Bob sought, instead, a public stenographer and had his copy multigraphed by a young lady whose interest could never, by any possibility, center in anything more than her fee. The job was delivered two days later, and with the knowledge that he had thirty days in which to make the acquaintance of his fifty prospective clients, Bob resolved to devote one more week to the problem of still further recruiting his shattered vitality before getting down to active work. He spent that week wandering through Golden Gate Park, along the romantic and picturesque San Francisco water-front, and in moving-picture shows. Each morning, before starting for the day's wanderings, he wrote a long letter to Donna and then waited for the first mail delivery for her letter to him. Those letters came with unfailing regularity, and in that city where Bob McGraw prowled through the day, unknown and unnoticed, there was no man so free from the curse of loneliness as he. The very opening line in Donna's matutinal greeting--“My Dear Sweetheart”--routed the blue devils that camped nightly on his worried and harassed soul, as he lay abed and wrestled with the mighty problems that confronted him. To Bob McGraw those three words held the open-sesame of life; they gave him strength to cling to his high, resolve; they whispered to him of the prize of the conflict which awaited him at the end of his long road to Donnaville, and sent him forth to face the world with a smile on his dauntless face and a lilt in his great kind heart.