The Long Day: The Story of a New York Working Girl, as Told by HerselfRichardson, Dorothy
History
The Long Day: The Story of a New York Working Girl, as Told by Herself
Richardson, Dorothy
Women -- Employment -- New York (State) -- New York -- History -- Sources
"The lady with the black hair" sat before a cleared space on a table
banked on either side with big red roses. In front of her were three or
four glasses, each containing one salmon-colored rose, fresh and
fragrant from the hothouse.
Leaning forward, with her elbows on the table and her chin in her palm,
she was staring intently at these four splendid blooms. Then she picked
up a half-finished muslin rose and compared them. All this I saw while I
waited timidly for her to look up. But she did not see me. She was
absorbed in the study of the living rose. At last I summoned courage to
inquire if she was Miss Higgins. She started, looked up quickly, and
nodded her head, with a smile that displayed a row of pretty teeth. Her
manner was cordial.
"Have you ever worked at flowers before?" she asked.
"No."
"Ever worked at feathers?"
"No."
"Well, the best I can do is to put you at blossom-making to-day, and see
how you take to it. It's too bad, though, you don't know anything about
feathers; for the flower season ends in a month, anyway, and then I have
to lay off all my girls till September, unless they can make feathers
too. Then they get jobs on the next floor. There'll be lots of work
here, though, for a month, and we might take you back in September."
The tone was so kindly, the interest so genuine, that I was prompted to
explain my situation, assuring her I should be glad to get work even for
four weeks. As a result, I was put on Rosenfeld's pay-roll for three and
a half dollars per week, with half a day's extra pay for night work: the
latter had been a necessity three or four nights every week for six
months, and was likely to continue for two, maybe three, weeks longer.
Besides the assurance of extra pay from this source, Miss Higgins also
intimated, as she conducted me to one of the tables, that if I was "able
to make good" she would raise me to four dollars at the end of the week.
Soon I was "slipping up" poppies under the instruction of Bessie, a
dreamy-eyed young Jewess. The process was simple enough, to watch the
skilled fingers of the other girls, but it was very tedious to my
untried hand. In awkward, self-conscious fashion I began to open out the
crimped wads of scarlet muslin which came to us hot from the
crimping-machine.
"You mustn't smooth the creases out too much," Bessie protested; and
with a deft touch, the right pull here, the proper flattening there, the
muslin scrap blossomed into a fluttering corolla.
"Don't get discouraged. We've all got to learn," one of the girls at
the far end of the table called out cheerily.
"Yes, and don't be afraid of making a mistake," put in my vis-a-vis, a
pretty Italian. "We all make mistakes while we're learning; but you'll
find this a nice place to work, and Miss Higgins is so lovely--she's
awful nice, too, to the new girls."
Public-domain text, read in full here on John Shaqi.
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