The lantern rattled on the floor, as the old negro fell upon his knees
by the pallet. "Et's him!" he cried. "Dee Lawd he'p! Et's Marse
Harry hese'f!" He leaned and looked, with a painful bewilderment, at
the striped garments, the smooth, clipped scalp. "Huccome he got dem
close on?" he said to himself, half-fearfully. He stood a moment
looking from them to the pallet, then hastily rolled the sodden things
into a bundle and thrust it out of sight behind one of the sacks on the
floor.
Late the next afternoon the smoke from the stone chimney of the big
bungalow rose in a pale spiral into the keen windless air. Inside a
leaping fire of chestnut wood burned on the huge hearth and Harry lay
on a comfortable, blanket-covered couch in the corner. All day long
Jubilee Jim had watched beside him, as he tossed in delirium, now and
then touching the hot hand, laying cooling cloths on the fevered wound,
or feeding him with a spoon. He had not dared go down the mountain to
fetch a doctor, fearing to leave his patient so long alone.
All day, as he watched, his slow brain had been busy with the
strangeness of that arrival--most of all with the mystery of the
striped clothes. To his simple intelligence, unvexed by the
complexities of life in communities, evil and good stood out in sharp
and irreconcilable contradistinction, and the garments were a harrowing
symbol. But deep in him was that profound, unreasoning belief--the
South's touching legacy of ante-bellum days--that trust and confidence
that is dog-like and unswerving.
Towards evening, when the sick man became easier and he lay more
quietly, though his fever ran high, Jubilee Jim opened the door, and
stood looking out onto the lone, frosty hillside. The sun was going
down amid a flutter of scarlet scarfs and the marbled pines stood in
sombre clusters outlined like sentinels above the pansied twilight of
the snowy valley. At length he knelt down and with gnarled hands
clasped and eyes still on the colourful sky, he said:
"O Lawd, Ah don' know what mek Marse Harry come hyuh lak dis. But yo'
knows what he done fo' ole Jube. Keep him yeahs en yeahs, feed him, en
when he so sick he gwine die, tek en git er doctah en cure him up.
When ah so old ah ain' no good no mo' he gimme dee lan' up hyuh fo' tuh
live on. Don' do nuffin cep'n watch dee house, en when he come
sometimes Ah cooks fo' him--das all! Ah don' know whaffuh he have on
dem wicked clo's--don' keer nuth'n erbout dat. Kase, Lawd, Marse Harry
ain' ben fo' tuh do nuth'n _bad_. Dey tek yo' darlin' son, dee Book
says, en put er crown o' tho'ns on he beautiful haid, en he ain' done
nuth'n 'tall cep'n good. Ah don' keer what Marse Harry have on; Ah
reck'n when he come lak dis, Yo' gwine he'p me he'p him--kase das what
he done fo' me!"
As the earnest voice ceased, another spoke behind him. "Jube!"
The old man rose hastily and came to the couch. "Yo' knows me ergen,
Marse Harry?"
"Yes, Jube. When--did I get here?"
Public-domain text, read in full here on John Shaqi.
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