"Why not?" he said, and striking open the door, led the way into the
noisy interior, reeking with stale odours, with strong tobacco-smoke,
with carouse and profanity. He strode across the floor, shouldering
his way unceremoniously through the press, and sat down at a small deal
table that was unoccupied. His companion seated himself opposite. He
was looking at Harry with critical admiration, noting his lithe
athletic build and the certain, confident swing of his movements. His
eye lighted.
"Gad!" he said, with a little laugh. "To tell the truth I wouldn't
have cared to come in here alone, though I've been in a good many shady
boozeries. Allow me to introduce myself. My name's John Stark--that's
the name I play under, that is. I'm an actor. I'm trying out a new
play, the 'Jail-bird.' Perhaps you've seen the bill-boards."
"Of course," said Harry. The title sprang instantly into his mind,
blazoned on a gaudy bill-board against a maple-shaded street:
"Do not fail to see this Talented Star
In his Gripping Drama, _The Jail-Bird_."
It multiplied, stamping itself on a thousand walls, a chromatic
procession tumbling into the distance. The other nodded in a
self-satisfied way. "It's a great play. Got the real human dope in
it. It'll go big, too. That's why I come to these places--to study
'business.' See that teamster with the pock-marked face and the tattoo
on his arm? What a make-up that would be!"
The burly, half-drunken driver, in red-flannel shirt with a snake-whip
in his armpit, his back to the bar, poured from a gurgling black
bottle. "Hear what it says?" he hiccoughed--"'It's
good--s'good--s'good--s'good--s'good!'"
John Stark withdrew his eyes from the fascinating study, as a waiter,
in an apron that had in some remote epoch aspired to white, with a
strip of soiled towelling thrown over one arm, set two thick glasses on
the table, with a surly "well?"
"I'll take a silver fizz," said the actor.
"The same," said Sevier--"and be quick about it!"
The harsh admonition thrust across the noise. The phrase had no
meaning to Sevier, it had been merely the echo of another bidding that
he had given at some other time, in some other world, repeating itself
now when the hidden spring of association was touched. But it brought
a resentful glare from the waiter. The loungers standing nearest
shuffled truculently, and the teamster by the bar turned an ugly look
upon them. The man in the dingy apron thumped down a black demijohn on
the table.
"Take it straight or not at all," he said in a surly tone.
Public-domain text, read in full here on John Shaqi.
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