He crept to the staircase door and listened; yes, it was her voice, but
not such as he had ever heard it. It was her voice as he could fancy it
in another life, a life in which she was as other girls, darkened by no
fear, pinched by no anxiety, crushed by no contumely; such as her voice
might have been, uplifted in the garden of his old home on the French
border, amid bees and flowers and fresh-scented herbs. Her voice,
doubtless, it was; but it sorted so ill with the thoughts he had been
thinking, that with his astonishment was mingled something of shock and
of loss. He had dreamed of dying for her or with her, and she sang! He
was prepared for peril, and her voice vied with the lark's in joyous
trills.
Leaning forward to hear more clearly, he touched the door. It was ajar,
and before he could hinder it, it closed with a sharp sound. The singing
ceased with an abruptness that told, or he was much mistaken, of
self-remembrance. And presently, after an interval of no more than a few
seconds, during which he pictured the singer listening, he heard her
begin to descend.
Two men may do the same thing from motives as far apart as the poles.
Claude did what Louis would have done. As the foot drew near the
staircase door, treading, less willingly, less lightly, more like that
of Anne with every step, he slid into his closet, and stood. Through the
crack between the hinges of the open door, he would be able to view her
face when she appeared.
A second later she came, and he saw. The light of the song was still in
her eyes, but mingled, as she looked round the room to learn who was
there, with something of exaltation and defiance. Christian maidens
might have worn some such aspect, he thought--but he was in love--as
they passed to the lions. Or Esther, when she went unbidden into the
inner court of the King's House, and before the golden sceptre moved.
Something had happened to her. But what?
She did not see him, and after standing a moment to assure herself that
she was alone, she passed to the hearth. She lifted the lid of the pot,
bent over it, and slowly stirred the broth; then, having covered it
again, she began to chop the dried herbs on the platter. Even in her
manner of doing this, he fancied a change; a something unlike the Anne
he had known, the Anne he had come to love. The face was more animated,
the action quicker, the step lighter, the carriage more free. She began
to sing, and stopped; fell into a reverie, with the knife in her hand,
and the herb half cut; again roused herself to finish her task; finally
having slid the herbs from the platter to the pot, she stood in a second
reverie, with her eyes fixed on the window.
He began to feel the falseness of his position. It was too late to show
himself, and if she discovered him what would she think of him? Would
she believe that in spying upon her he had some evil purpose, some low
motive, such as Louis might have had? His cheek grew hot. And then--he
forgot himself.
Public-domain text, read in full here on John Shaqi.
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