And he? He remained, troubled at one time by the yearning to follow and comfort and cherish her; cast at another into a cold sweat by the recollection of that voice in the night, and the strange ties which bound her to Basterga. Innocent, it seemed to him, that connection could not be. Based on aught but evil it could hardly be. Yet he must endure, witness, cloak it. He must wait, helpless and inactive, the issue of it. He must lie on the rack, drawn one way by love of her, drawn the other by daily and hourly suspicions, suspicions so strong and so terrible that even love could hardly cast them out. For the voice he had heard at midnight, and the horrid laughter, which greeted the words of sacrilege--were facts. And her subjection to Basterga, the man of evil past the evil name, was a fact. And her terror and her avowal were facts. He could not doubt, he could not deny them. Only--he loved her. He loved her even while he doubted her, even while he admitted that women as young and as innocent had been guilty of the blackest practices and the most evil arts. He loved her and he suffered: doubting, though he could not abandon her. The air was fresh about him, the world lay sunlit under his eyes. But the beauty of the world had not saved young and tender women, who on such mornings had walked barefoot, none comforting them, to the fiery expiation of their crimes. Perhaps--perhaps among the thousands who had witnessed their last agony, one man hidden in the crowd, had vainly closed ears and eyes, one man had died a hundred deaths in one. CHAPTER X. AUCTIO FIT: VENIT VITA. In his spacious chestnut-panelled parlour, in a high-backed oaken chair that had throned for centuries the Abbots of Bellerive, Messer Blondel sat brooding with his chin upon his breast. The chestnut-panelled parlour was new. The shields of the Cantons which formed a frieze above the panels shone brightly, the or and azure, gules and argent of their quarterings, undimmed by time or wood-smoke. The innumerable panes of the long heavily leaded windows which looked out on the Bourg du Four were still rain-proof; the light which they admitted still found something garish in the portrait of the Syndic--by Schouten--that formed the central panel of the mantelpiece. New and stately, the room had not its pair in Geneva; and dear to its owner's heart had it been a short, a very short time before. He had anticipated no more lasting pleasure, looked forward to no safer gratification for his declining years, than to sit, as he now sat, surrounded by its grandeur. In due time--not at once, lest the people take alarm or his enemies occasion--he had determined to rebuild the whole house after the same fashion. The plans of the oaken gallery, the staircase and dining-chamber, prepared by a trusty craftsman of Basle, lay at this moment in the drawer of the bureau beside his chair.