The row of faces at tea seemed to frighten him. He felt as if he had
awakened out of a nightmare, that still held on to him with cold, clammy
hands, and was trying to draw him back once more into its web. Visions
rose before him of shrieking showmen's booths, blinking with tawdry
yellow eyes. Emmie's hoarse laugh grated on his ears; he was overwrought
and wanted to shout, to shriek, to give some vent to his feelings. But
he seemed chained to the long bench, and his tongue was tied so that he
could only mouth out silly platitudes about the weather and the
Fifteen's chances.
On his way back to the studies he felt an arm laid in his. He shivered
and turned round, half expecting to see Emmie's flushed, exciting face
peering up at him. He almost sighed with relief when he found it was
Tester.
"Look here, just come for a stroll round the courts. The rain's stopped.
I want to talk to you."
They wandered out under the lindens.
"I suppose you did go out last night, didn't you?"
"Yes."
"What on earth did you do it for?"
"I am sick of the whole affair," Gordon said petulantly. "Rudd called
the lot of us funks, so----"
"I know that tale quite well," Tester broke in. "I want to know why you
went out. At least I don't mean that. I mean to tell you why you went
out, because I don't think you know yourself. You have made an awful
fool of yourself. You have run the risk of getting sacked, merely
because you wanted to be talked about."
"I didn't. I went because I was jolly well not going to have Rudd
calling me a funk."
"Comes to the same thing in the end, doesn't it? You did not want to
play second fiddle; you didn't want Rudd to appear to have scored. You
wanted to be the central figure. Much the same, isn't it? The love of
notoriety."
Gordon murmured something inaudible.
Public-domain text, read in full here on John Shaqi.
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