“Um. I hope these troubles of the Colonel’s won’t be hard on the little
woman up there.”
He spoke half to himself, and when Wayne asked what he had said, Walsh
grunted “Um” and rose from the table.
Wayne found a letter in the club office. It was from Jean, written in
New York. A large, plain sheet of paper with the writing confined to a
square in the centre; the handwriting small, even, distinctive. It was
the first message he had ever received from her and he carried it to a
quiet corner of the lounging room to read.
“My grandfather is again in Pittsburg. He persists in pressing his
claim against your father, though I have begged him to drop it. I am
sorry to trouble you about such a matter, but if you can see him I
wish you would try to persuade him to go home. He has brooded over
his claim until he is no longer himself, and he insisted on staying
there at the boarding house when I left.
“The Richardsons have been kind to me in every way. I am at their
house and shall be here all the time I spend in New York. I go to my
work over on the East Side every day, and the settlement house people
look out for me and help me find the models I need.
“I hope you are well and that the new work with Mr. Walsh will
prosper.”
Many readings could not torture into this unexpected message any
personal interest in himself. This was one reflection, but it was
something that she had thought of him in her perplexity. Her shabby
old grandfather, with his long-neglected claim, was an unfortunate
encumbrance; it was too bad the girl had to be bothered with him. It
flashed upon him that he might go to New York and see her, but he
dismissed the idea at once. It would only distress her, and he was
Wayne Craighill, and to call on Jean at the Richardsons might injure
her--a bitter reflection, but one he met squarely. In the end, after he
had studied it in all possible angles, he felt happier for this contact
with something that had touched her hand. It was almost like her own
presence, this sheet of paper with its simple, straightforward message,
and the block of script that showed the artist’s “touch.” He would find
the bothersome grandfather to-morrow and settle the old claim out of
his own pocket and send him back to Denbeigh.
Public-domain text, read in full here on John Shaqi.
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