The lost Atlantis, and other ethnographic studiesWilson, Daniel, Sir
History
The lost Atlantis, and other ethnographic studies
Wilson, Daniel, Sir
America -- Antiquities; Atlantis (Legendary place); Ethnology -- America; Indians of North America -- Antiquities
the skilled metallurgists and architects of Central America and Peru.
This development of a feeling for art in savage races is at all times
interesting as indicative of intellectual capacity and powers of
observation, even when manifested, as it frequently is, within a very
narrow range. It is by no means a general characteristic either of
savage or civilised man. Yet recent archæological discoveries prove it
to have been one of the earliest forms of intellectual activity among
the cave-dwellers of Europe’s palæolithic dawn. The most civilised
nations have differed widely in the manifestations of this æsthetic
faculty. The city of Dante was the Athens of the Middle Ages in art as
well as letters; while the land which gave birth to Shakespeare can
scarcely be said to have had a native school of painting or sculpture
till late in the eighteenth century. The like differences are observable
among barbarous nations. Races are met with, to whom the drawing of a
familiar object suggests no idea of the original; while others, in
nearly the same stage of savage life, habitually practise the
representation of natural objects in the decorative details of their
implements and articles of dress, and in the carvings which furnish
occupation for many leisure hours.
A special interest attaches to the disclosures of archæology relative to
the prehistoric races of Europe, owing to the evidence thereby furnished
of striking resemblances in their arts and conditions of life to those
of uncultured races of our own day. In many respects it seems as though
the present condition of some existing races of America only repeats
that of Europe’s infancy. But so far as imitative art is concerned, the
analogy fails when the more recent contents of the barrows, cairns, and
grave mounds of prehistoric Europe are brought into comparison with
those of the New World. If, indeed, we leave behind us the age of
cromlechs, kistvaens, cairns, and barrows, and seek to estimate aright
the disclosures of artistic ability pertaining to the far more ancient
men of Europe’s Mammoth and Reindeer periods, it is otherwise. But,
before reviewing the wonderfully definite glimpses thereby furnished of
tribes of rude yet skilful hunters of that post-glacial world, it may be
of some help, in the comparisons which they suggest, to recall
impressions derived from a study of that Stone period in which the
natives of the British Islands appear to have approximated, in many
respects, to the Red Indian nomad of the American forest.
Public-domain text, read in full here on John Shaqi.
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