The lost Atlantis, and other ethnographic studiesWilson, Daniel, Sir
History
The lost Atlantis, and other ethnographic studies
Wilson, Daniel, Sir
America -- Antiquities; Atlantis (Legendary place); Ethnology -- America; Indians of North America -- Antiquities
The ingenious skill of the palæolithic artists and tool-makers, who
wrought in their rock-shelters and limestone caves, in that remote era
when the climate along the northern slope of the Pyrenees resembled that
of Labrador at the present day, has naturally awakened a lively
interest. The rigour of the climate during a greatly prolonged winter
prevented their obtaining stone or flint for purposes of manufacture.
They wrought, accordingly, in bone, in mammoth ivory, and in the horn of
the reindeer, fashioning from such materials their lances, fish-spears,
knives, daggers, and bodkins; turning to account the deer’s tynes for
tallies; and carving out of the larger bones what are assumed to have
been maces or official batons, elaborately ornamented with symbolic
devices designed for other purposes than mere decoration.
The Eskimo are recognised as presenting the nearest type to the cave-men
of Europe’s Post-Glacial era. It is even possible that, like the natives
of Labrador, the latter may have occupied winter snow-huts, and only
resorted to their cave-shelters during the brief heat of a semi-arctic
summer. This, however, is rendered doubtful by the occurrence of
reindeer horns and bones of young fawns, along with others of such
varying age as to indicate the presence of the hunter during nearly
every season of the year. Among a people so situated the industrial arts
are called into constant requisition, alike for clothing and tools; and
the experience of the hunter directs him to the products of the chase
for the easiest supply of both. The pointed horn of the deer furnished
the ready-made dagger, lance head, and harpoon; the incisor tooth of the
larger rodents supplied a more delicately edged chisel than primitive
art could devise; and the very process of fracturing the bones of the
larger mammalia, in order to obtain the prized marrow, produced the
splinters and pointed fragments which an easy manipulation converted
into daggers, bodkins, and needles. The ivory of walrus, narwhal, or
elephant is readily wrought into many desirable forms, and is less
liable to fracture than flint or stone; and all those materials are
abundant in the most rigorous winters, when the latter are sealed up
under the frozen soil. Implements of horn or bone may therefore be
assumed to have preceded all but the rudest flint celts and
hammer-stones or unwrought missiles; and although, owing to the nearly
indestructible nature of their material, it is from the latter that our
ideas of primeval tool-making are chiefly derived, enough has been
recovered from contemporary cave deposits to confirm the analogy of
their arts to those of the hyperborean workmen of the North American
continent.
Public-domain text, read in full here on John Shaqi.
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