But the Indian, in many cases, resorts to the pencil, or its equivalent, for the elucidation of subjects in which language fails him. He will take a burnt stick and draw a map indicating the route that has to be taken, the portages on a river, or the trail through the forest, after he has failed by signs and gestures to convey his meaning; and he can interpret with ease the drawings of Indians of other tribes. When camping out on the Nepigon River in 1866, with Indian guides from the Saskatchewan, who were strangers to the locality, they interpreted the drawings or carvings on a soft metamorphic rock overlaid by the syenite of that district; and were able thereby to tell us who had preceded them, and to determine the route we should take. Lieutenant Whipple in the narration of his route near the thirty-fifth parallel, remarks: “Near the Llano Extacado were seen Pueblo Indians from San Domingo. After an introductory smoke they became quite communicative, furnishing curious information as to their traditions and peculiar faith. When questioned regarding the numbers and positions of the Pueblos in New Mexico, they rudely traced upon the ground a sketch from which a map of the country is reproduced in the Government Reports.”[106] The Rev. Dr. O’Meara, for many years a missionary among the Ojibway Indians of Lake Superior, thus writes to me: “The Indians were always pictorial, even in common conversation, _i.e._ they liked to explain what they meant by making figures; and always, if you asked one of them for information as to the route to any place, he would make a rough map of it, either on the sand or on a piece of birch-bark.” This fully accords with my own experience. I have repeatedly seen Indian guides take a piece of birch-bark and indicate on it some idea otherwise inexpressible from our ignorance of any common language. Their map-making must be familiar to all who have travelled much with Indian guides. They delineate with much accuracy the leading geographical features of any familiar locality. I have in my note-books sketches made by Indians, when I have placed the pencil in their hand, and indicated by signs some information I desired to obtain, about game, fishing, or other matters familiar to them; or about their own tribal relationships, which they generally express in totemic fashion by their symbolic bear, deer, beaver, eagle, turtle, or other animal. Such signs of the clan, tribe, or nation are familiar to every Indian, as well as the ideographs of his own and others’ names; and when represented on the roll of birch-bark, painted on the chiefs buffalo robe, or inverted on his grave-post, they can be interpreted with the same facility with which an heraldic student discerns the family history on the painted hatchment or the sculptured shields of some noble mausoleum.