The lost hunter: A tale of early timesAdams, John Turvill
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The lost hunter: A tale of early times
Adams, John Turvill
Adventure stories; Indians of North America -- Fiction; New England -- Fiction
That day, Mr. Armstrong stirred not from the house, as long as the sun
remained above the horizon. The golden sunshine deepened his mental
gloom. Nor to his eyes was it golden. It was a coppery, unnatural
light. It looked poisonous. It seemed as if the young leaves of spring
ought to wither in its glare.
He heard the laugh of a man in the street, and started as if he had
been stung. It sounded like the mockery of a fiend. Was the laugh
directed at him? He started, and ran to the window, with a feeling
of anger, to see who it was that was triumphing over his misery.
He looked up and down the street, but could see no one. The
disappointment still further irritated him. Was he to be refused the
poor satisfaction of knowing who had wounded him? Was the assassin
to be permitted to stab him in the back? Was he not to be allowed to
defend himself? He returned and resumed his seat, trembling all over.
Faith's canary bird was singing, at the top of its voice. Armstrong
turned and looked at it. The little thing, with fluttering wings and
elevated head, and moving a foot, as if beating time, poured out a
torrent of melody. The sounds, its actions, grated on his feelings. He
rose and removed it into another room.
He folded his arms, his head fell upon his chest, and he shut his
eyes to exclude the light. "I am out of harmony with all creation,"
he said. "I am fit for a place where no bird ever sings. This is the
evidence of my doom. Only the blessed can be in harmony with
God's works. Heaven is harmony--the music of his laws. Evil is
discord--myself am discord."
Faith had still some influence over him, though even at her entrance
he started "like a guilty thing surprised." Her presence was a charm
to abate the violence of the hurricane. He could not resist the gentle
tones of her voice, and at the spell his calmed spirit trembled into
comparative repose. Armstrong acknowledged it to himself as an augury
of good.
I cannot be wholly evil, he thought, if the approach of a pure angel
gives me pleasure. The touch of Ithuriel's spear reveals deformity
where it exists; in me it discloses beauty.
With her he could talk over the ordinary affairs of the day with
calmness, though it is singular, considering the perfect confidence
between them, that he never adverted to the communication of Holden,
notwithstanding he knew it would possess the highest interest for her.
It betrays, perhaps, the weakened and diseased condition of a mind,
wincing like an inflamed limb at the apprehension of a touch.
Public-domain text, read in full here on John Shaqi.
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