Directly after the wedding the duke took his bride on a long tour, extending over Europe and into Asia; and after an absence of several months, carried her to England, and settled down for the autumn on his English patrimonial estate, Hereward Hold, (for Castle Lone was then a ruin and Inch Lone a wilderness, which no one had yet dreamed of rebuilding and restoring.) The youthful duchess, in her quiet English home, was like Louise la Valliere in the Convent of St. Cyr, "not joyous, but content." She tried to make her noble husband happy, by fulfilling all the duties of a wife--_except one_. She knew a wife should have no secrets from her husband, yet, in her fear of disturbing the sweet domestic peace, in which her wearied spirit rested, she kept from him the secret of her first wild marriage. At the meeting of Parliament in February, the Duke of Hereward took his beautiful young wife to London, and established her in their magnificent town-house--Hereward House, Kensington. At the first Royal drawing-room at Buckingham Palace, the young duchess was presented to the queen, and soon after she commenced her career as a woman of fashion by giving a grand ball at Hereward House. The Duke of Hereward was very fond and very proud of his lovely young bride, whose beauty soon became the theme of London clubs--though invidious critics insisted that she was much too pale and grave ever to become a reigning belle. Yes, she was very pale and grave; peaceful, not happy. Scarcely twelve months had passed since she had been cruelly torn from the idolized young husband of her youth and thrown into a convent, where the only news that she heard of him was, that he had been killed in a duel with her ruthless father. She had mourned for him in secret, without hope and without sympathy, and before the first year of her widowhood had passed--a widowhood she had been sternly forbidden by her father either to bewail or even to acknowledge--she had been driven by a series of unprecedented persecutions to give her hand where she could not give her broken heart, and to go to the altar with a deadly secret on her conscience, if not with a lie on her lips! Now her persecutions had ceased, indeed; but not her sorrows. Her home was quiet and honored, her middle-aged husband was kind and considerate, and she loved him with filial affection and reverence; but she could not forget the husband of her youth, slain by her father; his memory was a tender sorrow cherished in the depths of her heart, the only living sentiment there, for it seemed dead to all else. "If he were a living lover," she whispered to herself, "I should be bound by every consideration of honor and duty to cast him out of my heart--if I could! But for my dead boy, my husband, slain in the flower of his youth for my sake, I may cherish remembrance and sorrow." Thus, it is no wonder that she moved through the splendor of her first London season, a beautiful, pale, grave Melpomene.