Arthur, King -- Homes and haunts -- England -- Cornwall (County); Cornwall (England : County) -- Antiquities, Celtic
King Arthur had fought against the pagan horde and “upheld the
Christ.” Glastonbury withstood the heathen, and boasted to the last
of never having fallen into sacrilegious hands. It was Christian
always--the Church of martyrs like Indractus, of saints like Cuthbert,
Patrick, David, and Dunstan, and of kings like Ina, Edmund, and Arthur.
The massive walls nobly withstood the assault of time, and the ruins
of to-day are the work of the iconoclast, due to desecration and not
decay. The remnants are pathetic in their significance; the scene
of mutilated beauty is mournful beyond expression. Yet the beauty
remains, though it is not the beauty of spirituality and life, but
of the ethereality of death. As we gaze we are with a bygone age and
generation, and that age seems to imbue our thought and tinge our
reflections. Everywhere may be seen mementoes; all sounds are like
echoes, faint and far; all sights are dim with haze. Glastonbury is for
retrospection. The air is full of traditions; its history deals with
phantoms and its opening page is of myths.
[Illustration: RUINS OF ST. JOSEPH’S CHAPEL, GLASTONBURY
[_To face p. 254_]
Take your stand on Wearyall Hill, and brood awhile upon the
surroundings. You thrill to think that here St. Joseph might have
paused; that here, where lies a stone engraved with J. A., his withered
pilgrim’s staff might have burst into bloom. A few young trees are
bending to the wind; down below the old city stretches away in grey
lines, and there are some tumble-down houses of antique appearance
produced by the old rafters and rough stone of which they are
constructed. Bright and cheerful are many lattice windows which twinkle
out between the heavy time-scarred mullions wrought long and long ago.
Yonder is Tor Hill, and the great green valley spreads southward,
strewn with trees thickly, and ending only where the dipping horizon
meets it. The two Glastonbury towers are standing out boldly, almost as
if defiant; the red roofs of the city cluster below; and, set deeply
and immutably among aged and dark green trees, are the rent but erect
walls of the first Christian Abbey.
Public-domain text, read in full here on John Shaqi.
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