"Yet we will come to an agreement," continued the Professor's wife,
fluently, as if she were reading from a book. "It is not requisite for
every valuable work that its author should be a man of character, but
he who truly has this noble qualification, would be unlikely to produce
anything which would have an unfavorable influence on his branch of
learning; undoubtedly the weaknesses of a learned work originate more
frequently than one supposes in the author's weakness of character."
The Professor nodded assentingly.
"For," she continued, "the position which a scholar assumes with
respect to the great questions of the day, affecting his branch of
learning--nay, with respect even to the advantages and deficiencies of
his method--may generally be explained from his character. You have
always lived in the country," she said, turning to Ilse. "It would be
instructive to me to learn what impression you have received of the
mutual relations of people in the town."
"I have met but few as yet," rejoined Ilse, timidly.
"Of course," said Mrs. Struvelius. "But I mean that you will observe
with surprise that near neighborhood does not always imply intimate
intercourse. But Struvelius must be told you are here."
She rose, opened the door of the next room, and standing bolt upright
by the door, called out:
"Professor and Mrs. Werner!"
A slight murmur and the hasty rustling of leaves of a book were heard
in the adjoining room. The wife closed the door and continued:
"For after all we live among many and associate with few. In the city
we choose from among many individuals with a certain arbitrariness. One
might have more acquaintance than one has, but even this feeling gives
you confidence, and such confidence is more easily acquired in town
than in the country."
The side door opened. Professor Struvelius entered with an
absent-minded manner. He had a sharp nose, thin lips and wore an
unusual style of head dress. For his hair stood so peculiarly after its
own fashion, that one was justified in assuming that the head gear was
hereditary and had suggested the name of the family. He bowed slightly,
pushed a chair forward and seated himself in it silently--probably his
thoughts were still occupied with his Greek historian. Ilse suffered
from the conviction that the visit was an inopportune interruption and
that it was a great condescension on the part of his wife to speak to
her at all.
"Are you musical?" said Mrs. Struvelius, inquisitively.
"I can hardly say so," answered Ilse.
"I am glad of it," said the hostess, moving opposite to her and
examining her with her sharp eyes. "From my estimate of you, I should
think you could not be musical. The art of music makes us weak and
leads too frequently to an imperfect state of existence."
Public-domain text, read in full here on John Shaqi.
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