Fathers and sons -- Fiction; People with disabilities -- Fiction; Princes -- Fiction; Refugees -- Fiction
There was a moment's silence in which the two pairs of eyes dwelt on
each other with the deepest meaning, and then Loristan rose to his feet.
"The end will be all that our hearts most wish," he said. "To-morrow
you may begin the new part of 'the Game.' You may go to Paris."
* * * * *
When the train which was to meet the boat that crossed from Dover to
Calais steamed out of the noisy Charing Cross Station, it carried in a
third-class carriage two shabby boys. One of them would have been a
handsome lad if he had not carried himself slouchingly and walked with a
street lad's careless shuffling gait. The other was a cripple who moved
slowly, and apparently with difficulty, on crutches. There was nothing
remarkable or picturesque enough about them to attract attention. They
sat in the corner of the carriage and neither talked much nor seemed to
be particularly interested in the journey or each other. When they went
on board the steamer, they were soon lost among the commoner passengers
and in fact found for themselves a secluded place which was not
advantageous enough to be wanted by any one else.
"What can such a poor-looking pair of lads be going to Paris for?" some
one asked his companion.
"Not for pleasure, certainly; perhaps to get work," was the casual
answer.
In the evening they reached Paris, and Marco led the way to a small café
in a side-street where they got some cheap food. In the same side-street
they found a bed they could share for the night in a tiny room over a
baker's shop.
The Rat was too much excited to be ready to go to bed early. He begged
Marco to guide him about the brilliant streets. They went slowly along
the broad Avenue des Champs Elysees under the lights glittering among
the horse-chestnut trees. The Rat's sharp eyes took it all in--the light
of the cafés among the embowering trees, the many carriages rolling by,
the people who loitered and laughed or sat at little tables drinking
wine and listening to music, the broad stream of life which flowed on to
the Arc de Triomphe and back again.
"It's brighter and clearer than London," he said to Marco. "The people
look as if they were having more fun than they do in England."
The Place de la Concorde spreading its stately spaces--a world of
illumination, movement, and majestic beauty--held him as though by a
fascination. He wanted to stand and stare at it, first from one point of
view and then from another. It was bigger and more wonderful than he had
been able to picture it when Marco had described it to him and told him
of the part it had played in the days of the French Revolution when the
guillotine had stood in it and the tumbrils had emptied themselves at
the foot of its steps.
He stood near the Obelisk a long time without speaking.
"I can see it all happening," he said at last, and he pulled Marco away.
Public-domain text, read in full here on John Shaqi.
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