Fathers and sons -- Fiction; People with disabilities -- Fiction; Princes -- Fiction; Refugees -- Fiction
When the Samavian gives way to his emotions, he is emotional indeed.
Lazarus looked as if a storm had swept over him. He had choked back his
sobs, but tears still swept down his cheeks.
"Sir," he said hoarsely, "your pardon! It was as if a convulsion seized
me. I forgot everything--even my duty. Pardon, pardon!" And there on the
worn carpet of the dingy back sitting-room in the Marylebone Road, he
actually went on one knee and kissed the boy's hand with adoration.
"You mustn't ask pardon," said Marco. "You have waited so long, good
friend. You have given your life as my father has. You have known all
the suffering a boy has not lived long enough to understand. Your big
heart--your faithful heart--" his voice broke and he stood and looked at
him with an appeal which seemed to ask him to remember his boyhood and
understand the rest.
"Don't kneel," he said next. "You mustn't kneel." And Lazarus, kissing
his hand again, rose to his feet.
"Now--we shall _hear_!" said Marco. "Now the waiting will soon be over."
"Yes, sir. Now, we shall receive commands!" Lazarus answered.
The Rat held out the newspapers.
"May we read them yet?" he asked.
"Until further orders, sir," said Lazarus hurriedly and apologetically
--"until further orders, it is still better that I should read them
first."
XXX
THE GAME IS AT AN END
So long as the history of Europe is written and read, the unparalleled
story of the Rising of the Secret Party in Samavia will stand out as one
of its most startling and romantic records. Every detail connected with
the astonishing episode, from beginning to end, was romantic even when
it was most productive of realistic results. When it is related, it
always begins with the story of the tall and kingly Samavian youth who
walked out of the palace in the early morning sunshine singing the
herdsmen's song of beauty of old days. Then comes the outbreak of the
ruined and revolting populace; then the legend of the morning on the
mountain side, and the old shepherd coming out of his cave and finding
the apparently dead body of the beautiful young hunter. Then the secret
nursing in the cavern; then the jolting cart piled with sheepskins
crossing the frontier, and ending its journey at the barred entrance of
the monastery and leaving its mysterious burden behind. And then the
bitter hate and struggle of dynasties, and the handful of shepherds and
herdsmen meeting in their cavern and binding themselves and their unborn
sons and sons' sons by an oath never to be broken. Then the passing of
generations and the slaughter of peoples and the changing of kings,--and
always that oath remembered, and the Forgers of the Sword, at their
secret work, hidden in forests and caves. Then the strange story of the
uncrowned kings who, wandering in other lands, lived and died in silence
and seclusion, often laboring with their hands for their daily bread,
but never forgetting that they must be kings, and ready,--even though
Samavia never called.
Public-domain text, read in full here on John Shaqi.
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