When I first knew him at Oxford he was a strong man physically as
well as mentally; open-hearted, and of a merry and genial temperament.
At the same time he was, like most cultured persons--and especially
musicians,--highly strung and excitable. But at a certain point in his
career his very nature seemed to change; he became reserved, secretive,
and saturnine. On this moral metamorphosis followed an equally startling
physical change. His robust health began to fail him, and although there
was no definite malady which doctors could combat, he went gradually
from bad to worse until the end came.
The commencement of this extraordinary change coincided, I believe,
almost exactly with his discovery of the Stradivarius violin; and
whether this was, after all, a mere coincidence or something more it is
not easy to say. Until a very short time before his death neither Miss
Maltravers nor I had any idea how that instrument had come into his
possession, or I think something might perhaps have been done to save
him.
Though towards the end of his life he spoke freely to his sister of the
finding of the violin, he only told her half the story, for he concealed
from her entirely that there was anything else in the hidden cupboard at
Oxford. But as a matter of fact, he had found there also two manuscript
books containing an elaborate diary of some years of a man's life. That
man was Adrian Temple, and I believe that in the perusal of this diary
must be sought the origin of John Maltravers's ruin. The manuscript was
beautifully written in a clear but cramped eighteenth century hand,
and gave the idea of a man writing with deliberation, and wishing to
transcribe his impressions with accuracy for further reference. The
style was excellent, and the minute details given were often of high
antiquarian interest; but the record throughout was marred by gross
licence. Adrian Temple's life had undoubtedly so definite an influence
on Sir John's that a brief outline of it, as gathered from his diaries,
is necessary for the understanding of what followed.
Public-domain text, read in full here on John Shaqi.
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