Two years before his death Raphael had designed the large but by no means imposing _St. Michael overcoming Satan_ (No. 1504), the execution of which on panel was certainly due to Giulio Romano. It was a gift from Lorenzo de’ Medici to François I., the original cartoon being presented by Raphael to the Duke of Ferrara. This picture, like the _Holy Family of Francis I._, was originally protected by folding wings, the inner sides of which were lined with green velvet, while the outer were gilded and painted with arabesques. The two pictures arrived at Fontainebleau in July 1518, having been carried on the back of mules by way of Florence and Lyons. As early as 1530 the _St. Michael_ was restored by Primaticcio and by many others subsequently, notably in 1752. The picture was transferred to canvas by Picault, who received for his labours the large sum of 11,500 _livres_, a sum quite out of proportion to its æsthetic or financial value to-day. It was again restored in 1776, 1800, and 1850. It is signed in gilt characters on the edge of the Archangel’s tunic: RAPHAEL VRBINAS PINGEBAT MDXVIII. The Demon is not shown, as in the early and small picture of the same subject (No. 1502), as a dragon, but as a half-human monster with horns and tail. The foreshortening is undoubtedly clever, but the picture is too instantaneous in its dramatic action. In the course of time the high lights have gone down and the shadows darkened in the metallic-looking figure of the Archangel. The _Virgin with the Blue Diadem_ or the _Virgin with the Veil_ (No. 1497) is one of at least ten pictures in this collection which were carried out by Giulio Romano (1492?-1546). It is here credited to Raphael. It has been repeatedly restored. A very large number of replicas, variants, and old copies of this panel exist. The following “Raphaels” may be regarded as the work of Giulio: the _Small Holy Family with St. Elizabeth_ (No. 1499); the much restored _Saint Margaret_ (No. 1501); the _Portrait of Joan of Arragon_ (No. 1507), whom Raphael apparently never saw; and the _Portraits of Two Men seen to the Bust_ (which has been called _Raphael and his Fencing Master_) (No. 1508). Giulio certainly painted the _Triumph of Titus and Vespasian_ (No. 1420), the _Venus and Vulcan_ (No. 1421), and the _Portrait of a Man_ (No. 1422), which are catalogued under his name, and in all probability the three large Cartoons entitled _A Triumph_, _The Triumph of Scipio_, and _The Taking and Burning of a City_, which hang on the Escalier Daru. The _Circumcision_ (No. 1438) which figures officially under the name of the Bolognese painter Bartolommeo Ramenghi (Il Bagnacavallo) (1484-1542) is by Giulio Romano.