The Love Affairs of Great Musicians, Volume 1Hughes, Rupert
History
The Love Affairs of Great Musicians, Volume 1
Hughes, Rupert
Composers -- Biography
From that moment neither his conviction that he was doomed to an early
death, nor his courage to die pluckily, ever left him. When "Der
Freischütz" was given in Dresden, Caroline was ill at home. Carl
arranged a courier service by which he received, after every scene, news
of his wife. In February of the next year, he was compelled to leave
Dresden; he placed in his wife's hands a sealed letter only to be opened
in case of his death. This letter gave a complete account of all his
affairs, and a last expression of his immense love for her. On his many
tours, he met almost uninterrupted triumph, but as he wrote to Caroline:
"I would rather be in my still chamber with you, my beloved life.
Without you all pride is shorn of its splendour; my only real joy can be
in that which gives you joy too."
From now on he spent a large part of his time away from her, always
tormented to the last degree by homesickness, always harrowed by the
fear that he might die out of the reach of his adored wife and two
children, and never feeling that he had laid by money enough to leave
them free of the danger of want, after he should have drifted into the
grave that yawned just before his weary feet.
It is hard to find in story or history a more pitiful struggle against
fate and the frustration of every deep desire than the last days of Carl
Maria von Weber, hurrying from triumph to triumph, and dying as he
jolted along his way, or stood bowing with hollow heart before
uproarious multitudes. Homesickness grew to be a positive frenzy with
him.
"They carry me in triumph," he wrote to Caroline: "they watch for every
wink to do me kindnesses. But I feel I can only be happy there, where I
can hear my lambs bleat, and their mother low, and can beat my dog, or
turn away my maids, if they are at all too troublesome."
In 1825, Christmas found him at a distance, and he could not reach home.
"I shall think of you all on Christmas-eve," he wrote, "But that I
never cease to do. All my labours are for you--all my joy is with you."
"Can I but be with you on New Year's eve," he wrote again, with that
tinge of superstition which always more or less pervaded his character,
"I shall be with you all the year."
Now London beckoned to him, as she had to so many German musicians, to
whom she always has stood for the city of gold and of rescue from
pauperdom. Ghastly as Von Weber looked in the clutches of his disease;
hungry as his heart and body were for a long, an eternal rest, he felt
that he must not shrink from this final goal. As his son writes with
aching heart in the biography:
"To Gublitz, who doubted of his ability to undertake the journey to
London, he replied, in a tone of melancholy irony: 'Whether I can or no,
I must. Money must be made for my family--money, man. I am going to
London to die there. Not a word! I know it as well as you.' The bright,
cheery, lively Weber, who revelled in the triumph of his 'Freischütz,'
was already dead and gone.
Public-domain text, read in full here on John Shaqi.
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