The Love Affairs of Great Musicians, Volume 1Hughes, Rupert
History
The Love Affairs of Great Musicians, Volume 1
Hughes, Rupert
Composers -- Biography
Carl had been lured to London by reports of the enormous craze of the
whole people over his work. It was his fate to reach there just after
the tide of enthusiasm had turned, and was lapsing into the ebb of
weariness and impatience. After the first rapturous curiosity of
personal greeting, he found that the public would take little of him but
"Der Freischütz," and of this opera he had grown weary, as composers
always grow of their spoiled children of fortune.
His health, too, was in tragic state. Frightful spasms and hemorrhages
seemed to tear him asunder. At a dinner given him, two of the guests had
to carry him up the stairs. He was hardly strong enough to stand during
the cheers that greeted him when he came before his audience. But the
worst disease of all, the one that would not cease gnawing at his heart,
was his homesickness. To a doctor who offered him a new remedy, he
cried:
"Go! go! no doctor's tinkering can help me now. The machine is
shattered. But, ah, would but God in His mercy grant that it might hold
together till I could embrace my Lina and my boys once more!" His
effort to keep Caroline from knowing his illness was kept up. When she
wrote him that the children were begging to know why he remained so long
away, he answered:
"Yes, the father is long, long away; ah, and how long is the time to
him! how every day is counted! Patience! patience! Day crawls after
day."
"God bless you, my deeply beloved ones!" he wrote once more. "I count
days, hours, minutes, until we meet again. We have often been parted
before, and loved each other dearly, God knows. But this terrible
yearning I have never known before."
At last he grew so desperately sad that he broke his rule and wrote his
wife full details of his suffering; he had given up hope of ever seeing
his home again.
At this time, a singer wished to bring out a new song of his, and
furnished him with words. His once alert fancy groped long for a melody,
but, as his son writes:
"At last on the morning of the 18th of May, the great artist's flitting
genius came back to him, and for the last time gave him a farewell kiss
upon that noble forehead now bedewed with the cold sweat of death--for
the last time! But the trembling hands were unable to write down more
than the notes for the voice."
Fate had still reserved a bitter blow for him. He had fastened his hopes
upon a farewell concert, and grew morbid upon the importance of it to
his future.
Public-domain text, read in full here on John Shaqi.
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