The Love Affairs of Great Musicians, Volume 1Hughes, Rupert
History
The Love Affairs of Great Musicians, Volume 1
Hughes, Rupert
Composers -- Biography
George Sand will be remembered for the famous love affairs she has
contributed to history long after her books have lost their last reader.
It has been my habit in these papers to take the woman's side, and even
for George Sand there is much to be said in praise and in palliation.
For her peculiar views of life her peculiar husband may be largely
blamed, along with the peculiar ideals of the literary circle into which
her unhappy married life drove her. That she showed good taste in either
the management or the publication of her amorous entanglements one could
hardly maintain, and yet the men in the case seem to have been at least
as caddish as she was unwomanly. But it would take volumes to recount
what volumes have already recounted, and bewilderment and contradiction
would still be the chief result. Since so much of the story is familiar,
I can be brief with it here.
George Sand's relations with Chopin have been accepted in almost every
conceivable manner. There have even been writers of such intelligence as
Hadow who have maintained that she was entirely and solely a mother to
him. Before a trust in humanity as bland as this, before a credulity
that can deny itself to certain records and stretch itself to certain
others, there is nothing to say except to express gratitude that in some
hearts, at least, the belief in fairy stories is not left behind in the
nursery.
On the other hand, it is not necessary to fly to the opposite extreme,
and condemn the years that Chopin and Sand spent together as years
devoid of very earnest sympathy, intellectual and artistic communion,
and of mutual advantage. The relations were irregular, and were harrowed
by the temperaments of each. Sand was masculine, energetic, restless,
and by nature--for which she was surely not thoroughly to blame--a
voluptuary. Chopin, while not the whining mooncalf some have painted
him, was never of truly virile character. He was a man whose genius was
as limited in scope as a diamond's lustre, even while it had the
brilliance, the firmness, and the solitariness of that jewel. And, most
of all, he was that most pathetic of wretches, a sick man. He was
drifting down the current of that stream which had carried off his
gifted and adored sister when she was half his present age.
Public-domain text, read in full here on John Shaqi.
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