There were more than twenty-five Bachs, who made themselves names as makers of harmony, and they earned themselves almost as great names as family makers; all except Wilhelm Friedemann Bach, who was as lacking in virtue as he was abundant in virtuosity. He was notoriously immoral, and yet the greatest organist of his time, as his father had been before him; and it was this father, Johann Sebastian Bach, who by his life and preëminence in music, offers the biggest obstacle to any theory about the immoral influences of the art. For surely, if he, who is generally called the greatest of musicians, led a life of hardly equalled domesticity, it will not be easy to claim that music has an unsettling effect upon society. And yet there are his great rivals, Handel and Beethoven, whose careers are in the remotest possible contrast. It is neither here nor there, that "Father" Bach left little money and many children when he died, and that the sons seized upon his MSS. and drifted away to other cities, leaving the mother and three daughters to live upon the charity of the town. It is unfortunate to have to include among the ungrateful children the stepson, Carl Philip Emmanuel Bach, who seems otherwise to have been a pleasant enough fellow, a fair family man, and a great composer. He first too much eclipsed his father's fame, and has since been too much eclipsed thereby. He had family troubles, too, and left a wife and children to mourn him. So much for the Bachs. A family of almost equal fame was the group of violin makers of Cremona, the Stradivari. The founder of the house, Antonio, began his life romantically enough. When he was a youngster of seventeen or eighteen, he fell in love with Francesca Capra, a widow of a man who had been assassinated. She was nine or ten years older than Stradivari, and they were married on July 4, 1667. In the following December the first of their six children was born. Two of his sons took up their father's trade. Both of them died bachelors, and the third son became a priest. At the age of fifty-eight Francesca died. After a year of widowerhood, he wedded again; this time, a woman fourteen or fifteen years younger than he. She bore him five children, and he outlived her less than a year. His descendants dwelt for generations, flourishing on his fame, at Cremona. The Amati were also a numerous family of luthiers, as were the Guarnieri, but I have not been able to poke into their private affairs, though he who called himself "Jesus," was addicted to imprisonment, and is said to have made violins out of bits of wood brought him by the jailer's daughter. She sold the fiddles to buy him luxuries.