The Love Affairs of PixieVaizey, George de Horne, Mrs.
General
The Love Affairs of Pixie
Vaizey, George de Horne, Mrs.
Ireland -- Juvenile fiction; Young women -- Juvenile fiction
Stephen went off laughing, and Pixie shook up Pat's pillows, bathed his
hands, and kissed him several times on the tip of his nose, a proceeding
which he considered offensive to his dignity, and then went off to
change the crushable velvet skirt for a house dress of her favourite
rose hue--a quaint little garment made in a picturesque style, which had
no connection whatever with the prevailing fashion. When she returned
to the sitting-room she seated herself on the floor beside the fire, and
Pat, now entirely restored to equanimity and a little ashamed of his
previous ill-humour, himself inquired about the morning's experiences.
Like all the O'Shaughnessys he was intensely musical, and during his
sojourn in London had taken every opportunity to hear all the good
concerts within reach. He now wanted to hear about the music in the
Abbey, and especially of the anthem, and at the mention of it Pixie drew
a deep sigh of enjoyment.
"Oh, Pat, a boy sang `Oh, for the wings'! If you could have heard it!--
A clear, clear voice, so thrillingly sweet, soaring away up to that
wonderful roof. And he sang with such feeling." ... She began softly
humming the air, and Stephen knew then for a certainty whence had come
those rich, soft notes which had come to his ears in the Abbey.
"Sing it, Pixie, sing it!" cried Pat impatiently. "You promised, and
it's one of my favourites. Go on; I'll accompany!"
Stephen looked round inquiringly. No piano was in the room, no musical
instrument of any kind, and Pat lay helpless upon his bed. How, then,
could he accompany? The O'Shaughnessy ingenuity had, however, overcome
greater difficulties than this, and it was not the first time by many
that Pat had hummed an effective and harmonious background to his
sister's songs. As for Pixie, she opened her mouth and began to sing as
simply and naturally as a bird. She had a lovely voice, mezzo-soprano
in range, and though she now kept it sweetly subdued, the hearer
realised that it had also considerable power. She sang as all true
singers do--as if the action gave to herself the purest joy, her head
tilted slightly on one side, as if to listen more intently to each
clear, sweet note as it fell from her lips. ... "_Oh, for the wings,
for the wings of a dove; far away, far away would I roam_." ... The
words blotted out for the hearers the gathering twilight in the prosaic
little room; far away, far away soared their thoughts to heights lofty
and beautiful. "_In the wilderness build me a nest, and remain there
for ever at rest_." ... How had so young a thing learnt to put so
wonderful a meaning into that last word? Pat's rolling accompaniment
swelled and sank; now and again for a phrase he softly joined in the
words, and in the concluding phrase still another voice joined in in a
soft tenor note agreeable to hear.
Public-domain text, read in full here on John Shaqi.
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