The love-affairs of the Condés (1530-1740)Williams, H. Noel (Hugh Noel)
History
The love-affairs of the Condés (1530-1740)
Williams, H. Noel (Hugh Noel)
Conde family; France -- History -- Bourbons, 1589-1789
In vain, the King endeavoured to reassure him as to the innocence of
his intentions; in vain, the Constable, at his Majesty’s request, made
the strongest representations to his son-in-law. Condé was deaf to
all appeals, and, towards the middle of June, carried off his wife to
Valery, in the hope that, during his absence, the King’s passion might
cool or be diverted to some fresh object.
Henri IV. was in despair. In obedience to his orders, the poet
Malherbe consented “to degrade his muse to the office of pander,”[151]
and composed stanzas wherein the King, under the name of Alcandre,
cries:
Il faut que je cesse de vivre
Si je veux cesser de souffrir;
and the princess, under the name of Orante, replies:
La cœur outrée du même ennui,
Jurait que s’il mourait pour elle,
Elle mourait aussi pour lui.[152]
Condé and his wife remained at Valery until the first week in July,
when they were compelled to return to Court, in order to attend the
marriage of César de Vendôme, Henri IV.’s eldest son by Gabrielle
d’Estrées, and Mlle. de Mercœur. The King’s passion became more violent
than ever, and his conduct would have been ludicrous to the last degree
had it been less culpable. Not only did he continue to commission
Malherbe to bombard the princess with elegies and sonnets, but “one
saw him alter in less than no time his hair, his beard, and his
countenance.” He who had hitherto been distinguished from the nobles of
his Court by the simplicity and even negligence of his attire, might
now be seen dressing and adorning himself with as much care as the
youngest and most dandified of his courtiers, and, on one occasion, he
appeared at a tilting-match wearing “a scented ruff, a doublet with
sleeves of Chinese satin, and the colours of the Princesse de Condé,
who called him ‘her knight.’”[153] “The King is well and grows younger
every day,” wrote Malherbe to his friend Peiresc.
The unfortunate husband began to “play the devil” again, and, though
Henri, in the hope of bending him to his will, had the meanness to give
orders to Sully that the instalment of his pension due at Midsummer
should not be paid him, and to threaten him with even more severe
measures unless he mended his ways, his complaints grew louder than
ever. Violent scenes took place between him and the King, in one of
which Condé allowed the word “tyranny” to escape him, and his Majesty,
losing all control of himself, replied that the only occasion on which
he had merited such a reproach was when he had recognized the prince
for what he was not--that is to say, a legitimate son.
Finally, Condé took his wife back to Valery, and, though Henri employed
every means in his power to induce him to return, it was to no purpose.
“Beaumont,” writes the King to the Constable, on 23 September,
“returned yesterday, and says that he found our friend (Condé) more
unmanageable than ever. He leaves Valery this morning for Muret.”[154]
Public-domain text, read in full here on John Shaqi.
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