The love-affairs of the Condés (1530-1740)Williams, H. Noel (Hugh Noel)
History
The love-affairs of the Condés (1530-1740)
Williams, H. Noel (Hugh Noel)
Conde family; France -- History -- Bourbons, 1589-1789
Notwithstanding these indignant protestations, the Cardinal, who, while
naturally very anxious for a marriage which would connect him with
the Royal House itself and serve to consolidate his power, was anxious
also to assure the happiness of his niece, was still somewhat uneasy.
In consequence, he showed himself a trifle cold when the marriage was
mentioned, to the profound alarm of _Monsieur le Prince_, who
redoubled his attentions both to his Eminence and his niece, and was as
impatient for the conclusion of the affair “as if his son were about to
espouse the queen of all the world.”
The marriage was finally fixed for 11 February, 1641. Early in January,
the Duc d’Enghien arrived in Paris with his father, who accompanied
him everywhere he went, apparently from fear lest he should fail to
manifest sufficient enthusiasm for the fate in store for him. Mlle.
de Brézé had already arrived and was lodged at the Hôtel d’Aiguillon,
in charge of Madame Bouthillier; and, on 14 January, Richelieu gave a
magnificent fête in honour of the young couple at the Palais-Cardinal.
The principal attraction of this entertainment was the representation
of “Mirame,” a “_tragi-comédie_” which his Eminence had written
in collaboration with Desmarets. Richelieu had spared no expense to
give his work--which was probably neither better nor worse than the
mediocre pieces of the time--a setting in every way worthy of it. The
theatre, constructed expressly for it, had cost 200,000 écus; the
scenery had been brought from Italy, and the costumes had been designed
by the Cardinal himself. All the effective passages in the play were
rapturously applauded by the spectators, which is scarcely surprising,
since the celebrated author, carried away by admiration for his own
genius, invariably gave them the signal; and if the fall of the curtain
did not leave his Eminence under the pleasing illusion that he was not
only a great statesman, but a great poet as well, it was certainly not
the fault of his guests.
The play was followed by a grand ball, in which the little Mlle. de
Brézé appeared in a marvellous toilette and decorated with a part of
the Queen’s jewels, which her Majesty had lent her for the occasion.
_Monsieur le Prince_, who, with some of his intimates, watched the
scene from the gallery, pretended to be in raptures of admiration, and
every time that his future daughter-in-law danced, kept repeating: “Ah!
how pretty she is! Ah! how pretty she is!” It is to be hoped that the
report of these praises served to console their object for a trifling
but ludicrous mishap of which she was the victim, and which must have
occasioned her profound mortification.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account