New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
Between this point and East End Avenue, he took a zig-zag course along
several side streets and main roads. Thus he sauntered past the
Vanderbilt tenements—the aristocrats of their kind—and through the
German and Czechoslovak colonies, which were remote enough from Times
Square to have retained some of their European flavor.
Presently he found himself in a very prettily lighted shopping section
of First Avenue, a section which reminded him faintly of the chief
street in some of the Teuto-Bohemian towns he had once traveled through.
Reaching the Eighties, he strolled westward again, not without a sigh of
regret as he noticed that the few quaint German or Slovak spots left on
the East Side were fast being submerged in the uniform drabness which
inevitably descends on all the quarters of an American city.
The cross street into which he turned was dimly lighted and quite
deserted except for one other pedestrian on the opposite footway. This
was a man whose hippopotamine dimensions instantly chained Mr. Pryor’s
scrutiny.
Surely there were not two people in New York with the aggressive waddle,
the labored locomotion of Hutchins Burley? Pryor was in a holiday frame
of mind; but here, as usual, was opportunity knocking at his door when
he was in a mood to be "not at home."
"What must be, must be," he murmured, resigning himself to his fate.
He kept his eyes glued on Burley, and followed him slowly until he had
watched him enter a cigar and stationery shop at the corner. Walking
hurriedly past the shop window twice, he observed Burley, in a rather
secretive manner, handing the proprietor a small bundle of letters.
Then Pryor acted with lightning speed.
In less time than it takes to tell, he had darted down the dark basement
steps of the closed shop next to the tobacconist’s and, after a brief
disappearance, had emerged again.
The man who came trudging up the steps, however, was not the agile,
immaculate gentleman who had descended a few seconds before. At least,
to outward view, it was a middle-aged man with stooping shoulders, a
painful limp, clothes that looked trampish and untidy, and a round hat
rammed Klondike fashion far down over his forehead.
This ugly looking customer lurched past the tobacconist’s shop a moment
later, just brushing the sleeve of Hutchins Burley on his way out.
Wholly absorbed in himself, Burley paid no attention to the incident or
the cause of it. He plodded on up the street; but the man who had so
nearly collided with him went into the shop, made a quick
purchase—during which he took a good look at the shopkeeper—and then
came back to the street again with a haste that was scarcely in keeping
with his limp. By this time Burley had almost turned the corner of
Third Avenue, and Mark Pryor was obliged to throw his limp to the winds
and strike into a lively clip in order to keep his quarry within view.
Public-domain text, read in full here on John Shaqi.
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