New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
Immediately after supper, therefore, Janet left her friends in the
Japanese pagoda on the roof, having arranged to spend the evening in
Harry Kelly’s office in flat Number Thirteen, where she proposed to
practice on the athlete’s typewriter.
Her object was to "increase her speed" so that her most recent position
might be made securer.
Through the Collegiate Bureau, to which Cornelia had introduced her, she
had already been given two opportunities in business offices downtown.
She had lost them both within a week, her refinement and charm of manner
having been voted poor substitutes for the experience that she still
lacked.
The fault was not wholly Janet’s. Before she left home, she had taken a
course in shorthand and typewriting (in the teeth of her mother’s
opposition) at an Evening High School. It was one of those carefully
pasteurized courses for which the American educational system is famous;
it was showy, time consuming, and totally useless. But how could Janet
have known that high-school stenography was as pitiably inadequate to
the practical needs of a modern mercantile office as high-school French
or German to the practical needs of a tourist on the Continent?
Not wanting to get into the bad books of the Collegiate Bureau, Janet
was anxious to avert a third discharge. Moreover, her post with the
playwright had the intrinsic merit of being more congenial, as well as
more lucrative than any she had filled before.
Janet was thankful that Cornelia would be occupied with the party, for
her efforts to make herself more competent invariably excited her friend
to derision. Cornelia, like a true-blue Kipsite, was no devotee of good
workmanship. Endowed with the makings of success in any one of half a
dozen professions, she had achieved failure in all of them, her
inveterate lack of industry and application having botched a promising
career in turn as an author, singer, painter, dancer, decorator and
dress designer.
A born worker, Janet stood in no danger of imitating Cornelia’s business
vagaries. She could not have afforded it, anyway. Unlike Cornelia, she
had no private income, her only resources being a small bank deposit (a
relative’s bequest), which was dwindling with alarming rapidity. Thus,
inclination and necessity were as one in spurring her on to making a
success of her new post as typist and amanuensis for Howard Madison
Grey.
*III*
The keys of the typewriter were going at a merry gallop when Robert
Lloyd, who had a desk in Kelly’s office, came in.
"What do you mean by breaking the commandments of the Lorillard
Tenements?" he said, putting a sheaf of papers on his desk and getting
ready to attack them.
"Which commandments, Robert?"
"All ten. The first five prohibit any useful work in the daytime on
penalty of loss of caste. The second five prohibit the same at night on
penalty of excommunication, if not expulsion."
Public-domain text, read in full here on John Shaqi.
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