New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
The situation was without precedent in the history of the Outlaws of
Kips Bay. Even more unprecedented was Cornelia’s acceptance of the
situation. But this compliance of hers was in no wise dictated by
generosity or affection, as some innocents conjectured. Cornelia was
simply shrewd enough to see that Janet was the magnet which had drawn
back to Number Fifteen its departed splendor and had restored to herself
the position of the first lady of the Lorillard tenements, a position
she greatly prized.
One question that Cornelia put to Hercules was: Had Janet’s repugnance
for housework merely kept pace with her growing appetite for women’s
rights, or was Robert Lloyd at the bottom of all the mischief? How
should the mute and glorious Hercules reply to a purely rhetorical
query?—Cornelia favored the second explanation, a fact which boded
Robert no good.
*III*
Although Robert had in no sense entered the lists as one of Janet’s
suitors, Cornelia instituted comparisons between him and Claude, never
to the former’s advantage. She took occasion to contrast Claude’s noble
bearing and look of sovereign strength with Robert’s simpler and frailer
appearance. She dwelt on the cosmopolitan aura that clung to Claude,
his subtle atmosphere of wealth, breeding and high social origin, the
amalgam of gorgeous qualities that offered so much more than Robert’s
radical connections and straitened financial circumstances. Her trump
card was to call attention to Claude’s free and easy response to the
Lorillard conception of the rights of women and to offset this picture
with an allusion to Robert’s prudent reservations on the same subject.
If these comparisons were of an offhand and haphazard sort, nothing was
thereby lost in effectiveness. Far from it. They glorified Claude by
what was carelessly said: they damaged Robert by what was carefully left
unsaid.
Although unaware of the Machiavellian promptings of which she was the
innocent cause, Janet became dimly conscious of the conflict already
sensed by Robert, the conflict between her work (which was bound up with
Robert) and her love affair (which was somehow bound up with Cornelia as
well as with Claude). She felt the tug of Robert one way and the tug of
Claude and Cornelia the other way, without fully grasping the difference
in the two directions or the final significance of either goal.
Public-domain text, read in full here on John Shaqi.
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