New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
It wasn’t exactly a picnic to tell Claude the news. Like most of us,
Claude thrives wonderfully well on good luck but takes bad luck hard.
Naturally, to a man who has so many important friends, newspaper
notoriety is a bitter pill to swallow. Claude raged at his fate with a
violence that frightened me. He tortured himself by anticipating the
libels to which his character would be exposed, the pictures of himself
and me that the yellow newspapers would print, the slanders that the
busybodies would privately circulate. How his father and the Armstrongs
would take the affair was another source of torment. And then there was
the fear that the story might leak out on the "Baronia" and that we
should become the talk of the ship.
It was a calamity. And the worst of it was that Claude appeared to
think I was in some way directly responsible for it. His anger worried
me far more than the notoriety did; the angrier he got, the more the
notoriety sank into relative insignificance. He accused me of being
callous! Wasn’t that monstrously unjust? Merely because my advice was
that we should make the best of a very bad matter and face the world as
if nothing had happened of which we were ashamed. He took my calmness,
which was all on the surface, as a personal affront. It infuriated him
more (if that were possible) than the exposure, and caused him to accuse
me of disloyalty and lack of sympathy. Are men ever satisfied? They
pretend that they can’t endure a weeping woman. Yet, give them a
stoical countenance, and they’ll ask for tears.
No, Cornelia, this was not the first rift. That had come on the very
evening we sailed, when the passengers held a dance on deck in the
moonlight. I was not feeling very well and danced only once, but Claude
did full duty as a leader of the cotillion. During his absence from my
side, a young British captain in mufti (he had been an ace in the war)
sat down in a steamer chair next to mine and helped me, what with his
charming manner and his gorgeous British accent, to while away the time.
All went swimmingly until, in an interval between dances, Claude came
back to me. Can you call up an image of Claude, the magnificent,
approaching at a temperature of absolute zero? His manner, of the ice
icy, froze the poor captain dead away. This done, he turned on me and
asked me what I meant by "picking a man up!"
You can imagine that I replied pretty tartly, and one word led to
another till we reached a point where Claude threatened that he would
never marry me—no, not for all the king’s horses and all the king’s men.
At this, I burst out laughing. My laughter was immodest, unladylike,
spiteful. And I should have regretted it, had Claude understood me.
But Claude is in some respects a reincarnation of Kipling’s famous
vampire lady. He had never understood, and now, he never will
understand.
But I’m running ahead of my story.
Public-domain text, read in full here on John Shaqi.
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