She withdrew from him and rose, her cheeks parading an angry red. Ordinarily, a look was enough to make him quail, but, lo and behold, he was marching with unprecedented independence to the door. And how could Cornelia know that his body went hot and cold by turns for fear that she would let him walk out? She could not afford to lose him, so she called him back. "Here, goose!" she cried, coming swiftly down from her high horse. "Here’s Janet’s letter. You’d better read it through before you quarrel with me about it." He took it happily and obediently, she getting little pleasure from such an easy victory. While he read it, she reflected once more that she could not afford to lose him. She set small store by his doglike devotion and, though he had recently obtained an excellent position as physical trainer in a fashionable men’s club, she considered him vastly beneath her. That he was physically a veritable Borghese Warrior was wholly offset by the fact that he was socially little better than a superior handicraftsman. In her eyes, that is to say, he had his points, but they were not the points of a polished gentleman. Yet he was the one friend left to her in Kips Bay, the one friend whose constancy to her was undeviating and unimpaired. Cornelia’s decline from glory had proceeded rapidly since the departure of Janet. The renaissance of flat Number Fifteen as the social and artistic center of the Lorillard tenements had been shortlived. That renaissance (which Cornelia tried to believe was of her own making) had really begun with Janet’s advent. While it lasted, the Outlaws and their cohorts had paraded back, with all flags flying, and had restored the flat to the pinnacle of importance which it had occupied when Cornelia, in the full flush of the Percival Houghton notoriety, had first settled down in Kips Bay. For a brief space Cornelia, glittering like the morning star, had been "the first lady of the model tenements," and had tasted again what she called life, splendor, joy. But Janet had gone, and Claude had gone with her. As a direct consequence of Janet’s flight, Robert had more and more often invented excuses for absenting himself from the Lorillard flats. Charlotte Beecher’s visits ceased as soon as Robert’s did, and Denman Page’s as soon as Charlotte Beecher’s. In its turn, the loss of Claude deflected a whole galaxy of feminine stars, including Lydia Dyson at the top of the scale and Mazie Ross at the bottom. And so on, ad infinitum.