New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
"Only till tomorrow, Janet. I pledge my word to have everything
explained to your satisfaction if you’ll come tomorrow to Charlotte’s
studio in Washington Mews. The party begins at four."
"The party!"
"Precisely. An engagement party for Charlotte; a surprise party for
you."
Saying which, and protesting that he had talked her deaf, dumb and
blind, and affirming that he had never felt so horribly out of character
in his life, Mark Pryor gravely took his leave.
*IV*
In fulfillment of her promise, Janet went the following afternoon to the
converted stable in Washington Mews where Charlotte Beecher cultivated
sculpture in an atmosphere of aristocratic Bohemianism. It was the same
studio in which, of old, Cornelia Covert had luxuriated whenever the
routine of Outlawry in Kips Bay got on her nerves.
Spring and hope in a young woman’s breast usually add love to their
number. In Janet’s case they added thoughts of Robert. All morning she
had been plagued with a feeling, amounting to a conviction, that he
would be at Charlotte’s party. But when she reached the Mews, she found
that Pryor and Lydia Dyson were the only other guests at a gathering
which bade fair to be intimate and exclusive.
For a minute or two her spirits were considerably dashed. She waited for
Pryor’s advertised surprise to eventuate; but she waited in the dark,
nobody offering so much as a ray of enlightenment.
While Lydia Dyson stretched herself supine upon the magnificent tiger
rug before the blazing fire, Pryor fetched wineglasses and poured out
champagne.
"Here’s to those about to wed!" cried Lydia, raising her glass, and then
quoting:
"’Farewell, happy fields where Joy forever dwells,
Hail Horrors!’"
"You might give us a more cheerful toast, old girl," protested
Charlotte.
"An occasion like this conduces to high philosophy rather than to vulgar
good cheer," retorted Lydia, whose Egyptian beauty—ebony hair against a
pale olive skin—had never been more stunning. "However, since you wish
it, I’ll take another shot: ’Here’s to continued failure for all of
us!’"
"Lydia, you _are_ a merry soul today," exclaimed Janet, amidst the
general laughter.
"And why not?" inquired Lydia, with a provoking drawl. "Why not? When I
see my last blood curdler running well into the two hundred thousands!"
"Lydia is right," said Pryor. "In the present state of civilization,
all the best people are failures, glorious failures."
He contrasted the fortunes of Lydia’s pornographic romances with the
fate of her one serious experiment in fiction. The romances sold like
hot cakes. But the serious work, a short novel in which, with pitiless
Hogarthian realism, she had developed an episode between a brother and a
sister, had been refused by her publisher on the ground that "it was too
terrible!" Then there was his own case! Had he not failed as a
detective because too much secret information was always breezing his
way?
Public-domain text, read in full here on John Shaqi.
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