New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
Janet dismissed this explanation lightly and begged Robert not to
analyze every joy until its very essence had been probed—and destroyed.
She laughed at his attempt to convince her that these gay evenings of
Cornelia’s were a kind of renaissance. His theory was that the light of
Cornelia’s splendor had been getting dim of late, as it had got dim on
several previous occasions. But the impact of a new partner against
her, like the impact of an astral visitor against a dying sun, now as
always gave her a new lease of brilliance.
In short, Robert asserted that it was the replacement of Mazie by Janet
which had caused a tremendous revival of interest in Cornelia’s flat.
Everybody in the inner ring of the Outlaws or in the outer ring of the
tenements, everybody indeed, that had any shadow of a claim to an
entree, had come trooping in to sun themselves in the restored glory of
Number Fifteen.
To most of Robert’s remarks, Janet paid little attention. But she
carefully treasured up one of them.
This was that never before had Claude Fontaine been such a constant
visitor.
*II*
Yet for a few days after the Outlaws’ Ball, Claude had behaved as if his
confession of love had never been made, or had merely been the
expression of an impulse, for which he disclaimed responsibility. There
had been no return to the intimacy that instantly abolishes all the
formulas of mere politeness and all the prescriptions of mere etiquette;
there had been no recurrence of that world-without-end moment at the
ball or of that other moment in the limousine next day.
At the ball he had treated her as he would have treated any respectable
middle-class girl who might take his fancy. That is, he had stretched
the conventions as far as an impressionable young woman will usually
allow a dashing young man to stretch them, but not further.
After she joined Cornelia, however, his attitude changed. He treated her
with a certain wariness of manner by which he appeared to convey the
following:
"I took you to be a girl who strictly observed the moral customs
established and honored in Brooklyn, but long fallen into disuse in
certain parts of Manhattan, and nowhere less respected than in Kips Bay.
It amused me to tempt you to violate these customs, especially as I had
little hope of meeting with success. But now that you have become a
Lorillard girl, what spice is there in tempting you? Either you never
were the girl I took you for; or, at any rate, you soon won’t be.
"At all events I shall be on my guard. You are the first girl to work
upon me so mightily with a single glance. But you are not the first girl
who has looked as innocent as a dove and acted as subtly as a serpent.
Be warned! Neither your innocent subtlety nor subtle innocence can make
me forget that a Claude Fontaine is in the habit of forming but one sort
of friendship with a girl in the Lorillard tenements."
Public-domain text, read in full here on John Shaqi.
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