New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
"Who are the Armstrongs?"
Claude was taken aback by this question. In his world, where everybody
knew everybody else, the bare name of Armstrong had a very definite and
compact meaning.
"Dear little ignoramus! The Dupont Armstrongs, of course."
This addition meant very little more to Janet, although it rekindled a
vague memory that she had seen the name somewhere in the newspapers.
Politely concealing his wonderment, Claude explained more at length.
He said that Colonel Dupont Armstrong came of an old Southern family,
and was the active head of the great firm of Harmon, Armstrong & Co.,
the international bankers whose financial power had built golden bridges
between continents. His wife had a passion for collecting exquisite
jewels; he had a mania for hoarding Chinese vases. But the operation of
his esthetic taste being unreliable, he had struck up an intimacy with
Claude’s father soon after he discovered this gentleman to be a
thoroughly dependable guide. In time, he became a regular patron of the
Fontaine galleries and his purchases of diamonds, necklaces and
porcelains had contributed appreciably to Mr. Fontaine’s fortune.
Janet’s curiosity in respect of worldly matters was much more quickly
satisfied than her curiosity in respect of people.
"Is Mr. Armstrong’s daughter as charming as she looks?" she asked Claude
at the end of his explanation.
"Well, most men think so," said Claude, smiling. "Marjorie is
undoubtedly very beautiful and fully conscious of the fact. You may
have seen her portrait by Ben Ali Haggin in the last Academy exhibition?
It was a tone poem in russet brown, quite the stir of the season."
"Oh, I’m sorry I missed it. I’ve never been to an Academy exhibition,
Claude."
"How amazing! Not even to one?"
"Not even to one. Imagine how hopelessly ignorant I am of art!"
"Art! People don’t go to the Academy in quest of art, you dear
innocent. It would be a waste of effort. They go as a compliment to
their friends whose portraits have been painted, not as a tribute to the
men who painted them."
But Janet was not to be deflected from her purpose.
"I played the spy whilst your back was turned," she said, "and watched
your pretty friend closely. She was evidently displeased with you.
What had you done?"
"Absolutely nothing. That’s just Marjorie’s way when she can’t have all
she wants—which seldom happens."
"Then she wanted _you_?"
"Yes, for some party or other. But I’m not going to leave you merely to
gratify a passing whim of hers. Anyhow, it isn’t so much a case of
wanting me to be with her, as of wanting me not to be with anybody
else."
"Rather dog-in-the-mangerish, isn’t it?"
"Oh, all the tyrants of the earth are like that, especially the
fascinating feminine tyrants," replied Claude, in an attempt to
recapture his good spirits.
But it was plain that his mood had radically changed. For the remainder
of their stay he was preoccupied and his gayety was forced.
Public-domain text, read in full here on John Shaqi.
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