The love of an uncrowned queen : $b Sophie Dorothea, consort of George I, and her correspondence with Philip Christopher, Count KönigsmarckWilkins, W. H. (William Henry)
History
The love of an uncrowned queen : $b Sophie Dorothea, consort of George I, and her correspondence with Philip Christopher, Count Königsmarck
Wilkins, W. H. (William Henry)
Königsmarck, Christopher von, 1665-1694; Sophia Dorothea, consort of George I, King of Great Britain, 1666-1726
There were many festivities at Hanover in honour of the visit of the
Duke and Duchess of Celle, and among them the Prince and Princess of
Hanover gave a ball to which the court and nobility were invited.
Everything was done on a scale of magnificence. Duke Ernest Augustus and
the Duchess Sophia with a numerous suite attended in state, and sat on a
raised dais with their honoured guests. The Duchess Eléonore must have
felt that at last she was a duchess indeed, especially if she contrasted
these flattering attentions from her haughty kinsfolk with their former
snubbings and insults. The evening began with a play—probably a pastoral
with dances; then there was a procession to the banqueting-hall, and
after supper Sophie Dorothea opened the ball with her father the Duke of
Celle. The Duchess Sophia and the Duchess Eléonore did not dance, but
sat apart on the dais. Duke Ernest Augustus was too stout, so George
Louis led out the Countess Platen, as _vis-à-vis_, she being the
greatest lady present after their Serene Highnesses, and it is recorded
that the splendour of her jewels and attire far outshone those of the
ducal party. When the first set dance was over, the dancing became more
general, and Königsmarck and the Princess stood up for a minuet.
Königsmarck wore a suit of pink and silver, while the Princess appeared
as Flora, all in white, with no jewels and a wreath of natural flowers.
They made so handsome a couple, and withal danced so exquisitely, that
they called forth the admiration of the whole company. Indeed, the
Countess Platen was so struck by the grace of Königsmarck’s dancing and
the beauty of his person that when the dance was over, she went up and
complimented him in most extravagant terms before the whole assembly, to
which Königsmarck, who was nothing if not gallant, replied in a fitting
manner. The incident did not fail to attract the notice of the court,
except that of Ernest Augustus, who seemed blind and deaf where his
favourite was concerned.
From this hour Königsmarck’s intimacy with the Countess Platen ripened
rapidly—an intimacy which may be palliated, but certainly cannot be
excused. He became a frequent visitor to Monplaisir, where drinking was
deep and play was high. The Countess was always willing to win a little
money from her admirers (it was the recognised way of buying her
favours), and before long rumour spread the tale that an intrigue
existed between the two. It is difficult to say what was the truth of
the matter. The Countess Platen must at this time have been about forty
years of age, but she was at the height of her opulent charms;[39] she
had power, wealth, and the art of making herself pleasant and
fascinating to men, and she was not troubled with any scruples.
Königsmarck was neither better nor worse than other young nobles of his
day, and the probability is that Poellnitz’s narrative is in the main
true, and in an unguarded moment Königsmarck threw over his good
intentions and discretion.[40]
Public-domain text, read in full here on John Shaqi.
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