The two daughters did not look up; and the admiral gave no sign either
of recognition or of partizanship. But Hector, at a word from his uncle,
stared and continued to stare across the house.
Ronnie, perceiving the stare, deliberately drew his chair closer to
Aliette's; and the momentary panic stilled in her mind. Her fingers
loosened their grip on the velvet ledge; her eyes were no longer the
vacant eyes of a sleep-walker. Coolly now she faced her husband's
ill-mannered stare; coolly she forced a smile to her lips, and,
pretending to examine her program, managed an aimless remark.
The pretense of nonchalance deceived even Hector. Hector turned to his
cousin Moira and tried to talk with her. But hardly a word came to his
lips. His heart thudded under the stiff of his shirt-front. He felt
himself surrounded, pent in a cage, pent to sitting-posture. He wanted
to heave himself upright, to smash the cage, to scatter the people
surrounding him.
"Confound them!" he thought, "they all know. All these first-nighters
know. Of set purpose, she has done me this shame."
Once again he saw himself as the lone bull, the lone bull before the
scornful herd. He wanted to gore with his horns, to lash out with his
hoofs; for his eyes--averted from the box--still held their picture: the
two disdainful women, the tall disdainful man between them.
"Pretty bad form, _I_ think," said Moira sympathetically.
"Curse her sympathy!" thought Hector.
5
The preliminary music neared its ending; and the first part of Aliette's
ordeal, even more terrible than she had anticipated, was almost over by
the time that Mary O'Riordan billowed her imposing way to the front of
the stage-box. Other people followed, but Mary's hoydenish bulk, draped
in the gold and scarlet of some super-Wagnerian goddess, dwarfed them to
the insignificance of pygmies.
Aliette's heart, still numb from its effort at self-control, gave one
pleasurable beat at sight of her friend. She smiled across the house at
Mary. Their eyes met, clashed. And in that moment, the house darkled.
* * * * *
The curtain had been up a full three minutes before Aliette realized
that those blue eyes of Mary's intended the cut direct. Realizing, every
nerve in her tense body throbbed with resentment at the ingratitude.
Mary to cut her! Mary of all people! Mary, by whose side she had stood
stanch through a year of trouble! Mary, whose affair with Letchingbury
provided the very money which sent up the curtain, which bought the
scenery and paid the actors of "Khorassan"!
Gradually, the first throbs of Aliette's resentment subsided, leaving
her every nerve a living pain. Mary's ingratitude hurt, hurt. "Most
women are awful rotters"; Mollie's words, uttered long ago at Moor Park,
came back to her.
Public-domain text, read in full here on John Shaqi.
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