Meanwhile, for the only character in our story who was not directly
concerned with the feud of the Bruntons and the Cavendishes--to wit,
Betty Masterman--the average metropolitan life went on. Betty Masterman,
however, treating her self-invited guest with that lavish hospitality
which provides bed and board without asking even companionship in
exchange, lunching out, dining out, dancing and theatering, visiting and
being visited by a horde of acquaintances, knew a good deal more about
the progress of the feud than she confided to Mollie, and vastly more
than Mollie confided to her.
Betty knew, for instance, that Hector Brunton, had it not been for the
now full-blown scandal of his wife's desertion, would have been offered
his knighthood; that Julia Cavendish, for the identical reason, had not
been made a dame of the British Empire; that Dot Fancourt who, it was
rumored, had been captured in betrothal by a middle-aged spinster of
markedly reactionary views, never tired of lamenting "dear Julia's
mistaken devotion to her son"; and that Sir Peter Wilberforce, whose
baronetcy had been duly announced in the New Year's honors, was more
than anxious that _his_ son should get married.
To the grass-widow, it must be confessed, the feud itself seemed as
petty as its ramifications ludicrous. Her own affair--the affair of the
known husband who wrote every month from Toowoomba, Queensland, and the
unknown lover who wrote almost every day from Queen's Gate, London--had
always been one of those semi-public secrets which leave no speck upon
the escutcheon. Aliette's method, therefor, appeared in her estimation
foolish--though not quite so unnecessarily foolish as the scruples which
prevented Mollie Fullerford from accepting the obvious heart and equally
obvious hand of her Jimmy.
"Sorry, dear," Betty used to say, "but I can't see it. Either you're in
love with the man or you're not. If you _are_ in love with him, why on
earth don't you marry him? He's got plenty of money; you've got a little
money; and until you're tired of one another it ought to be ideal."
"You needn't be so beastly cynical," Mollie, ignorant of Queen's Gate,
used to protest. "Just because your own marriage wasn't a success,
there's no reason why mine shouldn't be. But I'm not going to marry
Jimmy until he's arranged things between Alie and her husband."
"Suppose he can't arrange them, my dear?"
"Of course he can arrange them if he really wants to. He's a lawyer."
"You absolutely refuse to marry him until he does?"
"Absolutely."
Despite which repeated assurance, Mollie Fullerford knew that her
decision weakened daily. It was all very well to pretend to Jimmy when
he called, as he constantly did call, that there could be no hope for
him until her wishes had been carried out; all very well, for the
moment, to be reluctant in hand-clasps, grudging with kisses. But "that
sort of thing" couldn't go on. It wasn't--Aliette's phrase--"dignified."
Public-domain text, read in full here on John Shaqi.
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