The charge against Mrs. Cairns was murder; and for days no newspaper
dared to omit a single comma from its reports of the case. For days
Hector's bewigged photograph blazed on the back page of the "Daily Mail"
and the front page of the "Sunday Pictorial"; for days England abandoned
itself to the raptest scrutiny of Dr. Spilsbury's and other experts'
evidence anent the poisonous properties of a certain arsenical face
lotion with which--the "hanging prosecutor" alleged--Mrs. Cairns had
doctored her dead husband's whisky; and to speculations, ruminations,
discussions, and wagers as to the probable fate of Mrs. Cairns.
During those days, that epitome of England, Powolney Mansions, oblivious
alike of reconstruction, strikes, German indemnities, the Irish
question, and the "scandal of Mr. and Mrs. Cavendish," demanded only to
know whether Mrs. Cairns would dare to face Hector Brunton's
cross-examination; whether, cross-examination concluded, Hector Brunton
would succeed in securing a verdict of "guilty" against Mrs. Cairns; and
whether Mrs. Cairns, having been found guilty, would be hanged by the
neck until she was dead or incarcerated for the period of her natural
life--which period, Miss Greenwell informed Monsieur Mayer, was limited
to twenty years with the remission of one quarter the sentence for good
conduct.
"She'll be out in fifteen years," said Miss Greenwell, when, some ten
days after the conclusion of the trial, the home secretary's remission
of the death penalty was duly announced, "and she'll still be a young
woman."
"I," retorted Monsieur Mayer, "do not believe that she was guilty at
all. If it had not been for 'Ector Brunton----"
"And that reminds me," began Miss Greenwell--but by then the lovers were
already away.
2
Consciously and subconsciously, the success and the _réclame_ of the
"hanging prosecutor" infuriated Ronnie. Always he hated the man, but
now, every time he saw H. B.'s face staring at him from the newspapers,
a new thought, the thought of his own meagerly employed talents, talents
of which he had begun to feel more and more surely confident, rankled.
Even in the "ridiculous flat" (he and Aliette christened it the
"ridiculous flat" in the same way that Orientals always refer to their
most cherished possessions as things of no account) he felt himself a
failure.
Yet the flat's self was an indubitable success--a home of their
own--very symbol of mated unity.
Public-domain text, read in full here on John Shaqi.
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