"Murder, let me tell you, has been very aptly defined in the few words,
'Murder is unlawful homicide with malice aforethought.' It is the
existence of malice which distinguishes this crime from justifiable or
excusable homicide and from manslaughter. In order, therefore, to prove
to you that this woman murdered her husband, I must demonstrate, as I
shall demonstrate, not only that she shot him down with a revolver--a
fact which I again remind you is not in dispute--but that she shot him
down in cold blood and with malice aforethought. That is to say, that
she had actually planned to kill him before--long before--the fifth of
July. On this point, quite apart from the point of motive, we have
incontrovertible evidence."
Again Brunton paused, conscious of his opponent; again, actor-like,
Brunton's part went on.
"Malice aforethought, as his lordship will direct you, entails motive.
Now, what was this woman's motive? Why did she kill her husband? Had
she, in killing him, some ulterior object? It is my contention," the
voice rose, "that she had such an object; that this woman," one
gentlemanly finger pointed accusingly at the dock, "when she killed
William Towers, her wedded husband, had one object, and one object only
in her mind--to free herself from him, to free herself at all and any
cost. Why?
"Members of the jury, it will be my duty, my very painful duty, to
answer that question by proving that this woman, this Lucy Towers, is
not only a murderess but an adulteress; that she had a lover, an illicit
lover--none other than Robert Fielding, the very man in whose room this
crime, this atrocious crime, was committed. I think"--Brunton's eyes
dropped to the brief in front of him, and he began turning over the
pages of it--"that after I have read to you the confession, the
voluntary confession of the prisoner, you will admit that not only the
crime but its motive stands proved, and proved up to the hilt, out of
her own mouth."
So far, Ronnie--chin propped on one hand, the other busy with his
notes--had listened, unmoved, to his enemy's opening. But now, suddenly,
as Brunton read out, emphasizing every word that might tell against her,
his client's confession; as he guessed from the very looks of the jury,
from the very way in which they craned forward from their box, how deep
an impression those words were creating in their minds; his heart
misgave him, and he glanced up, as though for confirmation of her
innocence, at Lucy.
Lucy Towers was eying Brunton, not as the fascinated bird eyes the
snake, but as the slandered eyes the slanderer. In the white of her
cheeks, color came and went by fitful flashes. Her mouth kept opening
and closing, as though to give Brunton the lie. Once, when the harsh
voice mouthed the end of her confession, "I love Bob very much," she
would have started to her feet had not the wardress placed a restraining
hand on her arm.
Public-domain text, read in full here on John Shaqi.
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