The Lovels of ArdenBraddon, M. E. (Mary Elizabeth)
General
The Lovels of Arden
Braddon, M. E. (Mary Elizabeth)
England -- Social life and customs -- Fiction; Man-woman relationships -- Fiction
The Court formed three sides of a quadrangle. A dear old place, lovable
rather than magnificent, yet with all the grandeur of the middle ages; a
place that might have stood a siege perhaps, but had evidently been built
for a home. The garden originally belonging to the house was simplicity
itself, and covered scarcely an acre. All round the inner border of the
moat there ran a broad terrace-walk, divided by a low stone balustrade from
a grassy bank that sloped down to the water. The square plot of ground
before the house was laid out in quaint old flower-beds, where the roses
seemed, to Clarissa at least, to flourish as they flourished nowhere else.
The rest of the garden consisted of lawn and flower-beds, with more roses.
There were no trees near the house, and the stables and out-offices, which
made a massive pile of building, formed a background to the grave old
gothic mansion.
Without, at least, Mr. Granger had respected the past. Clarissa felt
relieved by this moderation, and was inclined to think him a little less
hateful. So far he had said nothing which could seem to betray a boastful
spirit. He had watched her face and listened to her few remarks with a kind
of deferential eagerness, as if it had been a matter of vital importance
to him that she should approve what he had done. A steward, who had been
entrusted with the conduct of alterations and renovations during the
absence of his master, could scarcely have appeared more anxious as to the
result of his operations.
The great iron gates under the gothic archway stood wide open just as they
had been wont to do in Mr. Lovel's time, and Clarissa and her companion
passed into the quiet garden. How well she remembered the neglected air of
the place when last she had seen it--the mossgrown walks, the duckweed in
the moat, the straggling rose-bushes, everything out of order, from the
broken weathercock on one of the gateway towers, to the scraper by the
half-glass door in one corner of the quadrangle, which had been, used
instead of the chief entrance! It seems natural to a man of decayed fortune
to shut up his hall-door and sneak in and out of his habitation by some
obscure portal.
Now all was changed; a kind of antique primness, which had no taint of
cockney stiffness, pervaded the scene. One might have expected to see Sir
Thomas More or Lord Bacon emerge from the massive gothic porch, and stroll
with slow step and meditative aspect towards the stone sun-dial that stood
in the centre of that square rose-garden. The whole place had an air of
doublet and hose. It seemed older to Clarissa than when she had seen
it last--older and yet newer, like the palace of the Sleeping Beauty,
restored, after a century of decay, to all its original grandeur.
Public-domain text, read in full here on John Shaqi.
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