Clarissa rang a bell, and a tawdry-looking French servant, with big earrings and a dirty muslin cap, came to answer her summons. Mr. Austin was at home; would madame please to enter. Madame, having replied in the affirmative, was shown into a small sitting-room, furnished with a heterogeneous collection of cabinets, tables, and sofas, every one of which bore the stamp of the broker's shop--things which had been graceful and pretty in their day, but from which the ormolu-moulding had been knocked off here, and the inlaid-wood chipped away there, and the tortoiseshell cracked in another place, until they seemed the very emblems of decay. It was as if they had been set up as perpetual monitors--monuments of man's fragility. "This is what life comes to," they said in their silent fashion. This faded rubbish in buhl and marqueterie was useful enough to Mr. Lovel, however; and on his canvas the faded furniture glowed and sparkled with all its original brightness, fresh as the still-life of Meissonier. There were a child's toys scattered on the floor; and Clarissa heard a woman's voice talking to a child in an adjoining room, on the other side of a pair of tall pink folding-doors. Then she heard her brother's voice saying something to the servant; and at the sound she felt as if she must have fallen to the ground. Then one of the doors was opened, and a woman came in; a pretty, faded-looking woman, dressed in a light-blue morning wrapper that might very well have been cleaner; a woman with a great deal of dyed hair in an untidy mass at the back of her head; a woman whom Clarissa felt it must be a difficult thing to like. This was her brother's wife, of course. There was a boy of four or five years old clinging to his mother's gown, and Clarissa's heart yearned to the child. He had Austin's face. It would be easy to love _him_, she thought. "Mr. Austin is in his paintin'-room, madame," said the wife, putting on a kind of company manner. "Did you wish to see him about a picture? Je parle tres poo de Francais, mais si----" "I am English," Clarissa answered, smiling; "if you will kindly tell Mr. Austin a lady from England wishes to see him. What a dear little boy! May I shake hands with him?" "Give the lady your hand, Henery," said the mother. "Not that one," as the boy, after the invariable custom of childhood, offered his left--"the right hand." Clarissa took the sticky little paw tenderly in her pearl-gray glove. To think that her brother Austin Lovel should have married a woman who could call her son "Henery," and who had such an unmistakable air of commonness! The wife went back to the painting-room; and returned the next minute to beg the visitor to "step this way, if you please, ma'am." She opened one of the folding-doors wide as she spoke, and Clarissa went into a large room, at the other end of which there stood a tall slim young man, in a short velvet coat, before a small easel.